About this product

Product Identifiers

PublisherUniversity of Virginia Press

ISBN-100813921805

ISBN-139780813921808

eBay Product ID (ePID)2312484

Product Key Features

Number of Pages288 Pages

Publication NameCapital Offenses : Geographies of Class and Crime in Victorian London

LanguageEnglish

SubjectMystery & Detective, Sociology / Urban, European / English, Irish, Scottish, Welsh

Publication Year2003

TypeTextbook

AuthorSimon Joyce

Subject AreaLiterary Criticism, Social Science

SeriesVictorian Literature and Culture Ser.

FormatHardcover

Dimensions

Item Height0.8 in

Item Weight18.7 Oz

Item Length9.1 in

Item Width6.7 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN2002-154237

Dewey Edition21

Reviews""This is a several-layered book that uses the geography of London to reopen often-studied works with a new look and emphasis. From Mayhew to Darwin to General Booth, the London underworld and its literary accounts are studied for their importance as signifiers of the central place London played in the Victorian frame of mind. A good read for any serious student of Victorian literature and culture, this book offers an important look at the literary narratives that consider important segments of 19th-century London: the criminal, law enforcement, and the poor and their plight." -- Choice, This is a several-layered book that uses the geography of London to reopen often-studied works with a new look and emphasis. From Mayhew to Darwin to General Booth, the London underworld and its literary accounts are studied for their importance as signifiers of the central place London played in the Victorian frame of mind. A good read for any serious student of Victorian literature and culture, this book offers an important look at the literary narratives that consider important segments of 19th-century London: the criminal, law enforcement, and the poor and their plight.|9780813921808|

Grade FromCollege Graduate Student

Dewey Decimal823/.80932

SynopsisAs London became the first major city of the nineteenth century, new models of representation emerged in the journalism, poetry, fiction, and social commentary of the period. Simon Joyce argues that such writing reflected a persistent worry about the problem of crime but was never able to contain it. Such commentators as Wordsworth, Dickens, Mayhew, Stevenson, Conan Doyle, Booth, and Wilde all struggled with the same questions about how to represent London and the relations among its varied populations, yet their accounts often undermined one another. Whereas Victorian social science presumed a correlation between criminal activity, geographical residence, and social class, the popular literature of the period often sought just as strenuously to deny the link, giving rise to privileged and pathological offenders like Dorian Gray and Dr. Jekyll. This in turn shifted attention away from the urban slums that had been the setting for the so-called Newgate novels of the 1830s and 1840s. By 1900, crime appears as a distinctively modern problem, requiring large-scale solutions and government intervention in place of an older approach that was rooted in personal morality or philanthropic paternalism. Illustrating "literary geography"?in which physical space is not merely a backdrop for the plot but an integral element in shaping textual meaning?Simon Joyce?s Capital Offenses reveals how certain geographical patterns can not only give weight to interpretive meanings already suggested in the texts but also enable us to read them in a new and surprising light. Victorian Literature and Culture Series, As London became the first major city of the 19th century, new models of representation emerged in the journalism, poetry, fiction and social commentary of the period. Simon Joyce argues that such writing reflected a persistant worry about the problem of crime but was never able to contain it., As London became the first major city of the nineteenth century, new models of representation emerged in the journalism, poetry, fiction, and social commentary of the period. Simon Joyce argues that such writing reflected a persistent worry about the problem of crime but was never able to contain it. Such commentators as Wordsworth, Dickens, Mayhew, Stevenson, Conan Doyle, Booth, and Wilde all struggled with the same questions about how to represent London and the relations among its varied populations, yet their accounts often undermined one another. Whereas Victorian social science presumed a correlation between criminal activity, geographical residence, and social class, the popular literature of the period often sought just as strenuously to deny the link, giving rise to privileged and pathological offenders like Dorian Gray and Dr. Jekyll. This in turn shifted attention away from the urban slums that had been the setting for the so-called Newgate novels of the 1830s and 1840s. By 1900, crime appears as a distinctively modern problem, requiring large-scale solutions and government intervention in place of an older approach that was rooted in personal morality or philanthropic paternalism. Illustrating "literary geography"--in which physical space is not merely a backdrop for the plot but an integral element in shaping textual meaning--Simon Joyce's Capital Offenses reveals how certain geographical patterns can not only give weight to interpretive meanings already suggested in the texts but also enable us to read them in a new and surprising light. Victorian Literature and Culture Series, As London became the first major city of the nineteenth century, new models of representation emerged in the journalism, poetry, fiction, and social commentary of the period. Simon Joyce argues that such writing reflected a persistent worry about the problem of crime but was never able to contain it. Such commentators as Wordsworth, Dickens, Mayhew, Stevenson, Conan Doyle, Booth, and Wilde all struggled with the same questions about how to represent London and the relations among its varied populations, yet their accounts often undermined one another. Whereas Victorian social science presumed a correlation between criminal activity, geographical residence, and social class, the popular literature of the period often sought just as strenuously to deny the link, giving rise to privileged and pathological offenders like Dorian Gray and Dr. Jekyll. This in turn shifted attention away from the urban slums that had been the setting for the so-called Newgate novels of the 1830s and 1840s. By 1900, crime appears as a distinctively modern problem, requiring large-scale solutions and government intervention in place of an older approach that was rooted in personal morality or philanthropic paternalism. Illustrating "literary geography"--in which physical space is not merely a backdrop for the plot but an integral element in shaping textual meaning--Simon Joyce's Capital Offenses reveals how certain geographical patterns can not only give weight to interpretive meanings already suggested in the texts but also enable us to read them in a new and surprising light. Simon Joyce is Associate Professor of English and Director of Literary and Cultural Studies at the College of William and Mary. Victorian Literature and Culture Series

LC Classification NumberPR878.C74J69 2003

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Victorian Literature and Culture Ser.: Capital Offenses : Geographies of Class and Crime in Victorian London by Simon Joyce (2003, Hardcover)

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