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Staging Scenes from the Operas of Donizetti and Verdi : A Guide for Directors and Performers by William Ferrara (2016, Trade Paperback)
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About this product
Product Identifiers
PublisherRowman & Littlefield Publishers, Incorporated
ISBN-101442257822
ISBN-139781442257825
eBay Product ID (ePID)230039538
Product Key Features
Number of Pages284 Pages
Publication NameStaging Scenes from the Operas of Donizetti and Verdi : a Guide for Directors and Performers
LanguageEnglish
SubjectInstruction & Study / Voice, Printed Music / Opera & Classical Scores, Genres & Styles / Opera
Publication Year2016
TypeTextbook
AuthorWilliam FERRARA
Subject AreaMusic
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight20.8 Oz
Item Length10 in
Item Width7 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2016-024163
Dewey Edition23
IllustratedYes
Dewey Decimal792.5023
Table Of ContentI. Staging Scenes from Donizetti's L'elisir d'amore (1832): Creating a Village Chapter 1. Chorus, Bel conforto al mietitore (Giannetta and Villagers) Chapter 2. Recitative and Duet, Chiedi all'aura lusinghiera (Adina and Nemorino) Chapter 3. Recitative and Duet, Voglio dire (Nemorino and Dulcamara) Chapter 4. Recitative, Caro elisir, sei mio! (Nemorino) and Scene and Duet, Esulti pur la barbara (Adina and Nemorino) Chapter 5. Chorus, Saria possibile? (Giannetta and Girls) and Quartet, Dell'elisir mirabile (Adina, Giannetta, Nemorino, Dulcamara, and Girls) Chapter 6. Recitative and Duet, Quanto amore (Adina and Dulcamara) Chapter 7. Romanza, Una furtiva lagrima (Nemorino) and Aria and Duettino, Prendi per me se libero (Adina and Nemorino) II. Staging Scenes from Donizetti's Lucia di Lammermoor (1835): Incorporating Ideas from the Novel Chapter 8. Recitative and Cavatina, Regnava nel silenzio (Lucia and Alisa) and Recitative and Duet, Sulla tomba che rinserra (Lucia and Edgardo) Chapter 9. Recitative and Duet, Il pallor funesto, orrendo (Normanno, Enrico, and Lucia) Chapter 10. Recitative and Sextet, Chi mi frena in tal momento (Lucia, Alisa, Edgardo, Arturo, Enrico, and Raimondo) III. Staging Scenes from Donizetti's Don Pasquale (1843): Experimenting with Three Different Settings Chapter 11. Arias, Bella siccome un angelo (Dr. Malatesta with Don Pasquale) and Un foco insolito (Don Pasquale) Chapter 12. Aria, So anch'io la virtu magica (Norina) and Duet, Pronta io son (Norina and Malatesta) Chapter 13. Trio, Via, da brava (Norina, Malatesta, and Don Pasquale) Chapter 14. Serenade and Nocturne, Com'è gentil (Ernesto and Chorus) and Duet, Tornami a dir che m'ami (Ernesto and Norina) Intermezzo: Improvisations and Exercises IV. Staging Scenes from Verdi's Rigoletto (1851): Exploring Theme and Imagery Chapter 15. Duet, Deh, non parlare al misero (Gilda, Rigoletto, and Giovanna) Chapter 16. Recitative and Duet, Signor ne principe io lo vorrei (Gilda, Duke, and Giovanna) and Recitative and Aria, Caro nome (Gilda) Chapter 17. Recitative and Duet, Tutte le feste al tempio (Gilda and Rigoletto) Chapter 18. Recitative and Canzone, E l'ami?. . . La donna è mobile (Gilda, Rigoletto, and Duke) and Quartet, Un dì, se ben rammentomi (Duke, Maddalena, Rigoletto, and Gilda) V. Staging Scenes from Verdi's La traviata (1853): The Actor's Process Chapter 19. Duet, Un dì felice, eterea (Violetta and Alfredo) and Recitative and Aria, Ah, fors'è lui che l'anima . . . Sempre libera (Violetta) Chapter 20. Scene and Duet, Pure siccome un angelo . . . Dite alla giovine . . . Morrò! la mia memoria (Violetta, Germont, Annina, and Giuseppe) Chapter 21. Scene, Dammi tu forza, o cielo! (Violetta and Alfredo) and Recitative and Aria, Di Provenza il mar, il suol (Germont and Alfredo)
SynopsisIn Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrara presents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies, L'Elisir d'amore and Don Pasquale, and guides us through the haunted world of Lucia di Lammmermoor. He explores Verdi's dark themes and imagery in scenes from Rigoletto, and the heartbreaking choices of the characters in La traviata. With signature comic touches, vivid characters, and dynamic stage action, Ferrara brings tried-and-true techniques as well as lively new ideas to these favorite scenes. Topics include study and research, rehearsal planning, blocking, characterization, ideas for simplified sets and props, and costume design. The introduction to each of the five operas includes a brief description of the story and characters, and suggestions for several different approaches to staging--both traditional and modern. The heart of each chapter is the text and translation of the scene, embedded with line-by-line notes on character, movement, emotion, and interaction. This fresh approach to staging an opera scene by applying insights and ideas directly to the text sparks the student's dramatic imagination and inspires a deeper understanding of the connection between words and music. In addition, by exploring creative improvisations, exercises and contemporary parallels, young performers are encouraged to build more authentic and dynamic performances. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Donizetti and Verdi., In Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrarapresents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies, L'Elisir d'amore and Don Pasquale, and guides us throughthe haunted world of Lucia di Lammmermoor. He explores Verdi's dark themes and imagery in scenes from Rigoletto, and the heartbreaking choices of the characters in La traviata. With signature comic touches, vivid characters, and dynamic stage action, Ferrara brings tried-and-true techniques as well as lively new ideas to these favorite scenes. Topics include study and research, rehearsal planning, blocking, characterization, ideas for simplified sets and props, and costume design. The introduction to each of the five operas includes a brief description of the story and characters, and suggestions for several different approaches to staging--both traditional and modern. The heart of each chapter is the text and translation of the scene, embedded with line-by-line notes on character, movement, emotion, and interaction. This fresh approach to staging an opera scene by applying insights and ideas directly to the text sparks the student's dramatic imagination and inspires a deeper understanding of the connection between words and music. In addition, by exploring creative improvisations, exercises and contemporary parallels, young performers are encouraged to build more authentic and dynamic performances. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Donizetti and Verdi., Veteran opera director William Ferrara walks the reader through the staging of twenty-five scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies and guides us through the dark world of Lucia di Lammmermoor. He discusses the hard moral choices in Verdi's tragedies and invigorates the grisly melodramas., In Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrara presents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies, L'Elisir d'amore and Don Pasquale, and guides us through the haunted world of Lucia di Lammmermoor. He explores Verdi's dark themes and imagery in scenes from Rigoletto, and the heartbreaking choices of the characters in La traviata. With signature comic touches, vivid characters, and dynamic stage action, Ferrara brings tried-and-true techniques as well as lively new ideas to these favorite scenes. Topics include study and research, rehearsal planning, blocking, characterization, ideas for simplified sets and props, and costume design. The introduction to each of the five operas includes a brief description of the story and characters, and suggestions for several different approaches to staging-both traditional and modern. The heart of each chapter is the text and translation of the scene, embedded with line-by-line notes on character, movement, emotion, and interaction. This fresh approach to staging an opera scene by applying insights and ideas directly to the text sparks the student's dramatic imagination and inspires a deeper understanding of the connection between words and music. In addition, by exploring creative improvisations, exercises and contemporary parallels, young performers are encouraged to build more authentic and dynamic performances. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Donizetti and Verdi.
LC Classification NumberMT955.F45 2017
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