Dewey Decimal781.640981
Table Of ContentList of IllustrationsPreface1. "Chiclete con Banana": Internationalization in Brazilian Popular Music, Charles A. Perrone and Christopher Dunn2. Carmen Mirandadada, Caetano Veloso3. Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music, Charles A. Perrone4. Tropicália, Counterculture, and the Diasporic Imagination in Brazil, Christopher Dunn5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism, Liv Socik6. Cannibals, Mutants, and Hipsters: The Tropicalist Revival, John J. Harvey7. Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal, Idleber Avelar8. The Localization of Global Funk in Bahia and in Rio, Livio Sansone9. World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia, Milton Araújo Moura10. Songs of Olodum: Ethnicity, Activism, and Art in Globalized Carnival Community, Piers Armstrong11. "Fogo na Babilonia:" Reggae, Black Counterculture, and Globalization in Brazil, Osmundo de Araújo Pinho12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging, Antonio J. V. dos Santos Godi13. Black or Brau: Music and Subjectivity in a Global Context, Ari Lima14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science, Larry Crook15. Self-Discovery in Brazilian Popular Music: Mestre Ambrósio, John Murphy16. "Good Blood in the Veins of This Brazilian Rio," or a Cannibalist Transnationalism, Fredrick MoehnContributorsCopyrights and AcknowledgementsIndex
SynopsisThis collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
LC Classification NumberML3487.B7B76 2001