
DECEASED-AS THE WEIRD TRAVEL ON-CD-thrash-heavy-death-metal-King Fowley
US $14.88US $14.88
May 27, 06:51May 27, 06:51
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DECEASED-AS THE WEIRD TRAVEL ON-CD-thrash-h eavy-death-met al-King Fowley
US $14.88
ApproximatelyPHP 830.14
Condition:
“THE CD(HAS SOME SMALL MARKS , BUT AFFECT THE MUSCI) AND INSERTS ARE IN VERY GOOD CONDITION(HAS SOME ”... Read moreabout condition
Very Good
An item that is used but still in very good condition. No damage to the jewel case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The VHS or DVD box is included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape.
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Shipping:
Free USPS First Class®.
Located in: Las Piedras, Puerto Rico, United States
Delivery:
Estimated between Tue, 10 Jun and Mon, 16 Jun to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
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eBay item number:405780657613
Item specifics
- Condition
- Very Good
- Seller Notes
- CD Grading
- Very Good Plus (VG+)
- Type
- Album
- Case Type
- Jewel Case: Standard
- Style
- SPEED/THRASH/DEATH METAL
- Case Condition
- Very Good (VG)
- Features
- Original Cover
- Country/Region of Manufacture
- United States
- Inlay Condition
- Very Good Plus (VG+)
- Edition
- First Edition
- UPC
- 0311917022116
About this product
Product Identifiers
Record Label
Cdb, CD Baby
UPC
0311917022116
eBay Product ID (ePID)
21046040141
Product Key Features
Release Year
2008
Format
CD
Genre
Heavy Metal
Artist
Deceased
Release Title
As the Weird Travel on
Dimensions
Item Height
0.40 in
Item Weight
0.21 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Tracks
8
Number of Discs
1
Tracks
The Kept, The Funeral Parlour's Secret, A Witness to Suspiria, Unwanted Memories, Missing a Pulse, Craving Illness, A Visit from Dread, Fright
Notes
Trends have come and gone, but Deceased's brand of true-to-the-roots heavy metal has done nothing but mature, distancing them from the throng of half-hearted pretenders, bandwagon jumping retro-metallers, and pseudo-metal shams. Having championed the cause of true metal for fifteen (!) years, Arlington, Virginia's Deceased are universally recognized as not only pioneers of the true spirit of death metal, but as keepers of the flame of heavy metal's past, present and future.Deceased arose in 1985, drawing inspiration from BLACK SABBATH, VENOM, RAVEN, MERCIFUL FATE, SLAYER and SODOM. During the period of 1985-1989, Deceased recorded and circulated three demos ('The Evil Side Of Religion', 'Birth By Radiation' and 'Nuclear Exorcist') that galvanized their reputation as trailblazers of original, technical American death metal. The 1988 hit and run death of bassist Rob Sterzel brought Les Snyder into the fold, completing the quintessential Deceased line-up (rounded out by King Fowley on drums/vocals, Mark Adams and Mike Smith on guitars). Extensive self-promotion and frequent gigging up and down the east coast brought the band to the attention of a brand new label- Relapse Records - to which Deceased were the first band to sign.In May of 1991, Relapse issued the 'Gutwrench' 7' EP, which built up frenetic underground anticipation for their full-length debut, entitled 'Luck Of The Corpse'. Released in February, 1992, 'Luck Of The Corpse' sold an amazing 15,000 copies without the benefit of a tour to support it. Little more than a year later, Deceased released a five song follow-up titled 'The Thirteen Frightened Souls' (which included a rousing version of VOIVOD's 'Voivod').Two years passed as the band crafted new songs and continued to gig frequently, opening for renowned death metal acts like MORBID ANGEL and NAPALM DEATH before entering Inner Ear Studios (FUGAZI, NIRVANA) to record their sophomore effort 'The Blueprints For Madness' in 1995. Despite incredibly raw production, the massive strength of the songs themselves garnered extreme enthusiasm from both fans and critics alike. The remainder of 1995 saw more regional and local gigging, honing the band's skills even further. 1995 also saw Last World Records (a small Maryland label) issue all of the now-classic early demos (along with some raw live sets) under the moniker 'Death Metal From The Grave'..1997 brought 'Fearless Undead Machines', a perfect union of the power and ferocity of true death metal with the song-writing finesse and grace of it's classic metal forerunners, 'Fearless Undead Machines' firmly placed Deceased a step ahead of retro-metal purveyors who had only then (ten years later) begun to catch up with them.'Fearless Undead Machines' was an immediate classic in the history of metaldom. An eleven piece concept album inspired by George A. Romero's 'Night Of The Living Dead'/'Dawn Of The Dead'/'Day Of The Dead' trilogy, 'Fearless Undead Machines' was given the midas touch from producer Jim Barnes (MORGION, MINDROT), allowing the band's music to be expressed and comprehended as never before. No matter the intention, 'Fearless...' exhibited with a majesty that underground metal hadn't witnessed for years. The brilliant lead guitar work and interplay (see 'The Silent Creature' and the title track) that Mike and Mark layed down harkened back to the glory days of IRON MAIDEN and JUDAS PRIEST without sacrificing any of the bite for which extreme metal become known.Deceased received unrelenting support from both die-hard fans and press as fans of metal collectively raised their fists and banged their heads in unison to 'Fearless Undead Machines' unwavering dedication to true, underground riffage and straightforward metallic themes. The band gigged up and down the east coast, topping it all off with a triumphant set at the first annual March Metal Meltdown (1999) in Asbury Park, NJ. While Deceased continued to play the off-weekend sets at thrash-friendly venues,
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