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Gaspard De La Nuit: Fantasies in the Manner of Rembrandt and Callot

US $21.39
ApproximatelyPHP 1,190.18
Condition:
Very Good
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Located in: Center Moriches, New York, United States
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eBay item number:404853513421
Last updated on Aug 23, 2024 06:06:14 PHTView all revisionsView all revisions

Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781935835301
Book Title
Gaspard De La Nuit : Fantasies in the Manner of Rembrandt and Callot
Original Language
French
Publisher
Quale Press LLC
Item Length
11 in
Publication Year
2022
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
Louis Bertrand
Genre
Poetry
Topic
European / French, General
Item Weight
18 Oz
Item Width
8.5 in
Number of Pages
292 Pages

About this product

Product Identifiers

Publisher
Quale Press LLC
ISBN-10
1935835300
ISBN-13
9781935835301
eBay Product ID (ePID)
23057290718

Product Key Features

Original Language
French
Book Title
Gaspard De La Nuit : Fantasies in the Manner of Rembrandt and Callot
Number of Pages
292 Pages
Language
English
Topic
European / French, General
Publication Year
2022
Illustrator
Yes
Genre
Poetry
Author
Louis Bertrand
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
18 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2022-945767
Synopsis
Louis Bertrand's Gaspard de la Nuit: Fantasies in the Manner of Rembrandt and Callot (originally published in 1842 in France) is credited as being the first Western collected work that stands on its own of the modern prose poem. Constructed almost like a hall of mirrors, Bertrand used the character of Gaspard to render these vignettes that are fantasies of life gone by. Written in the early 19th century, but mimicking life two, three and even four centuries before, the modern reader is presented with what a mirror does best: presenting both 'sides' of an image - ugliness and beauty. Each piece deftly paints its own scene. Bertrand uses his unique version of Romanticism and fuses it with his conception of the Gothic. His subject matter ranges from the beautiful dream to horrific nightmare, from kings and queens to low-born tavern keepers and bandits. Consisting of six "books" -- Flemish School, Old Paris, Night and Its Spells, Chronicles, Spain and Italy, and Sylphs -- this edition tries to follow Bertrand's initial instructions on how he wanted his manuscript to appear: full of images everywhere, including all of Bertrand's known drawings. Over 300 images are included, mostly period artwork. The book did not have much success at the time with the general public, but it did have a profound effect on a number of French writers (Baudelaire, Rimbaud, Mallarmé, the Surrealists, Jacob, etc.). Bertrand's book inspired Charles Baudelaire to apply "to the description of our more abstract modern life the same method [Bertrand] used in depicting the old days, so strangely picturesque." It was Gaspard that prompted Baudelaire's quest in Paris Spleen to attain "the miracle of a poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience." And for André Breton, "Bertrand is Surrealist in the past." This translation seeks to be as faithful as possible to Bertrand's original manuscript., Louis Bertrand's GASPARD DE LA NUIT: FANTASIES IN THE MANNER OF REMBRANDT AND CALLOT (originally published in 1842 in France) is credited as being the first Western collected work that stands on its own of the modern prose poem. Constructed almost like a hall of mirrors, Bertrand used the character of Gaspard to render these vignettes that are fantasies of life gone by. Written in the early 19th century, but mimicking life two, three and even four centuries before, the modern reader is presented with what a mirror does best: presenting both 'sides' of an image - ugliness and beauty. Each piece deftly paints its own scene. Bertrand uses his unique version of Romanticism and fuses it with his conception of the Gothic. His subject matter ranges from the beautiful dream to horrific nightmare, from kings and queens to low-born tavern keepers and bandits. Consisting of six "books"--Flemish School, Old Paris, Night and Its Spells, Chronicles, Spain and Italy, and Sylphs-- this edition tries to follow Bertrand's initial instructions on how he wanted his manuscript to appear: full of images everywhere, including all of Bertrand's known drawings. Over 300 images are included, mostly period artwork. The book did not have much success at the time with the general public, but it did have a profound effect on a number of French writers (Baudelaire, Rimbaud, MallarmÈ, the Surrealists, Jacob, etc.). Bertrand's book inspired Charles Baudelaire to apply "to the description of our more abstract modern life the same method [Bertrand] used in depicting the old days, so strangely picturesque." It was Gaspard that prompted Baudelaire's quest in Paris Spleen to attain "the miracle of a poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience." And for André Breton, "Bertrand is Surrealist in the past." This translation seeks to be as faithful as possible to Bertrand's original manuscript. "A splendid translation of Bertrand, which makes available a text that brings to the light of day the underside of experience that has not yet been noticed. There is some curious mingling of the ordinary and the extraordinary in Bertrand, whose angle of vision and unique perspective have yielded an outstanding text."--Lawrence Fixel Poetry. Translation.
LC Classification Number
PQ2196.B8G213 2022

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