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Dress, Body, Culture Ser.: Dressed to Impress : Looking the Part by William J. F
US $7.00
ApproximatelyPHP 388.25
Condition:
“very good condition”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
US $3.99 (approx PHP 221.30) USPS Media MailTM.
Located in: Corona, New York, United States
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Estimated between Wed, 14 May and Sat, 17 May to 43230
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30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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eBay item number:403336638369
Item specifics
- Condition
- Very Good
- Seller Notes
- “very good condition”
- ISBN
- 9781859734605
About this product
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
185973460X
ISBN-13
9781859734605
eBay Product ID (ePID)
4038488601
Product Key Features
Book Title
Dressed to imPRESS : Looking the Part
Number of Pages
256 Pages
Language
English
Publication Year
2001
Topic
Fashion & Accessories
Illustrator
Yes
Genre
Design
Book Series
Dress, Body, Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12.8 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
Reviews
'This book should find its way not only into introductory courses in sociology or anthropology, but into the libraries of journalists, critics, and theologians who wish to find out who is living what Durkheim called 'la vie serieuse'. To examine the sacred, it is always a good idea to begin with the vestments.' Journal of Contemporary Religion, 'This book should find its way not only into introductory courses in sociology or anthropology, but into the libraries of journalists, critics, and theologians who wish to find out who is living what Durkheim called 'la vie serieuse'. To examine the sacred, it is always a good idea to begin with the vestments.'Journal of Contemporary Religion, "This book should find its way not only into introductory courses in sociology or anthropology, but into the libraries of journalists, critics, and theologians who wish to find out who is living what Durkheim called 'la vie serieuse'. To examine the sacred, it is always a good idea to begin with the vestments." -- Journal of Contemporary Religion, This book should find its way not only into introductory courses in sociology or anthropology, but into the libraries of journalists, critics, and theologians who wish to find out who is living what Durkheim called 'la vie serieuse'. To examine the sacred, it is always a good idea to begin with the vestments., "This book should find its way not only into introductory courses in sociology or anthropology, but into the libraries of journalists, critics, and theologians who wish to find out who is living what Durkheim called 'la vie serieuse'. To examine the sacred, it is always a good idea to begin with the vestments." --Journal of Contemporary Religion
Synopsis
Our dress is our identity. In dress, we live, move and have our social being. This book shows how the dressed body is central to the construction of a recognizable identity and provides accessible accounts of the particular dress 'ways' associated with a considerable variety of lifestyles. Churchgoers, ballerinas, Muslim schoolgirls, glamour models, 'vampires', monks and country gents all fashion a social self through dress. These cultures all have characteristic forms of displaying the dressed body for social visibility - whether in religion, sex, performance, or on the street. In contrast to much of the literature on dress, which often assumes a lack of agency on the part of the wearer, contributors to this book focus on the conscious manipulation of dress to reflect an identity that is designed to look 'different'. Why do people choose to mark themselves off socially from others? What are the costs and benefits? For every dress 'identity', there is a corresponding set of entitlements and expectations as to behaviour and belief. 'Priestly' bodies inhabit a different universe of response from strippers, just as 'Gothic' bodies experience the public gaze differently from 'Methodist' ones. Where one look commands respect in one setting, in another it can incite antipathy and rejection. Contributors tackle head-on this 'paradox of dress' - its potent power to unite and divide. Evidence of the dressed body's social ambiguity as a medium of consensus, on the one hand, and conflict, on the other, provides a glimpse through dress into an elementary condition of social and cultural life that has all too rarely been part of historical and sociological discourse.
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