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Digital Audio Editing: Correcting and Enhancing Audio in Pro Tools, Logic Pro, C

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9780415829588
Book Title
Digital Audio Editing
ISBN
9780415829588

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
0415829585
ISBN-13
9780415829588
eBay Product ID (ePID)
166274815

Product Key Features

Number of Pages
336 Pages
Language
English
Publication Name
Digital Audio Editing : Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
Subject
Recording & Reproduction, Speech & Audio Processing, Digital Media / Audio, Acoustics & Sound
Publication Year
2013
Type
Textbook
Author
Simon Langford
Subject Area
Music, Computers, Technology & Engineering
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
24.9 Oz
Item Length
9.3 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2013-023380
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.28565
Table Of Content
1. Audio Editing 101 2. The Different Aims of Audio Editing Section 1: Corrective Editing 3. Cutting, Copying, Pasting, and Moving 4. Fades and Crossfades 5. Level Control 6. Tonal Matching 7. Comping and Alternate Takes 8. Multi-track Comping 9. Transient Detection Section 2: Creative Editing 10. Beat-mapping and "Recycling" 11. Drum Replacement 12. Time-stretching 13. Elastic Audio (Time) 14. Pitch Shifting Section 3: Restorative Editing 15. Editing in the Third Dimension 16. Spectral Editing 17. Applications of Audio Restoration 18. Demixing 19. Thinking Outside the Box
Synopsis
Whether you're comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You'll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid's Pro Tools, Apple's Logic Pro, Steinberg's Cubase, and PreSonus's Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.
LC Classification Number
ML74.3.L36 2013

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