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Vanishing Lives: Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeat

US $53.83
ApproximatelyPHP 2,995.21
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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9780813929408
Book Title
Vanishing Lives
ISBN
9780813929408
Subject Area
Literary Criticism
Publication Name
Vanishing Lives : Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeats
Publisher
University of Virginia Press
Item Length
9 in
Subject
European / English, Irish, Scottish, Welsh
Publication Year
2015
Series
Victorian Literature and Culture Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1.2 in
Author
James Richardson
Item Weight
13.2 Oz
Item Width
6 in
Number of Pages
256 Pages

About this product

Product Identifiers

Publisher
University of Virginia Press
ISBN-10
0813929407
ISBN-13
9780813929408
eBay Product ID (ePID)
120696719

Product Key Features

Number of Pages
256 Pages
Language
English
Publication Name
Vanishing Lives : Style and Self in Tennyson, D. G. Rossetti, Swinburne, and Yeats
Publication Year
2015
Subject
European / English, Irish, Scottish, Welsh
Type
Textbook
Author
James Richardson
Subject Area
Literary Criticism
Series
Victorian Literature and Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
1.2 in
Item Weight
13.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
19
Grade From
College Graduate Student
Dewey Decimal
821/.8/09353
Synopsis
One of the characteristic features of Victorian poetry is dimness, a vanishing away. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. This volume examines these features and links them to larger issues., One of the characteristic features of Victorian poetry is dimness, a vanishing away-things blur with the motion of their passing, which seems inseparable from the mind's fading as it lets them go. Tennyson, Rossetti, Swinburne, and the young Yeats are elegists of the self; they render life as transparent, ghostlike, dissolving, ungraspable, nearly unrememberable. This vanishing away, this dimness, of Victorian poetry is most obvious in the twilights, mists, shadows, deep horizons, and flowing waters of its central landscape, but it is also a matter of sound and syntax, of repetition and rhythm, texture and line movement. Vanishing Lives examines these features and links them to larger issues, such as the psychology of the individual poets, and the Victorian and modern frames of mind. The tendencies under consideration are less ideas than forms or styles of feeling. They are so universal in the nineteenth century that they may not seem to call for comment, but for all their vagueness they are deep, powerful, resistant to change-an essential stratum of the experience of Victorian poetry. For poets like Yeats, who struggled to move beyond them, they were far more than the trappings of an outmoded poetry. They were a deeply ingrained aesthetic, a style, a morality, not only a way of art to be revised, but a way of living to be outgrown-a Tennysonian way.

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