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The O.C.: A Critical Understanding (Critical Studies in Television) by Bindig

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eBay item number:386873133941
Last updated on Jun 14, 2024 02:52:51 PHTView all revisionsView all revisions

Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
Seller Notes
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
ISBN
9780739133163
Subject Area
Performing Arts, Social Science
Publication Name
O. C. : a Critical Understanding
Publisher
Lexington Books/Fortress Academic
Item Length
9.3 in
Subject
Media Studies, Television / History & Criticism, Television / General, Popular Culture
Publication Year
2012
Series
Critical Studies in Television Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Andrea M. Bergstrom, Lori B. Bindig
Item Weight
17.8 Oz
Item Width
6.2 in
Number of Pages
242 Pages

About this product

Product Identifiers

Publisher
Lexington Books/Fortress Academic
ISBN-10
0739133160
ISBN-13
9780739133163
eBay Product ID (ePID)
143669653

Product Key Features

Number of Pages
242 Pages
Publication Name
O. C. : a Critical Understanding
Language
English
Publication Year
2012
Subject
Media Studies, Television / History & Criticism, Television / General, Popular Culture
Type
Textbook
Author
Andrea M. Bergstrom, Lori B. Bindig
Subject Area
Performing Arts, Social Science
Series
Critical Studies in Television Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
17.8 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-034864
Reviews
This engaging book fascinates with its detailed reading of The O.C., its well-grounded theory, and its numerous insights into the multiple spaces of television programming. The authors trace the program's historical trajectory, and understand that the medium shapes and is shaped by the youth culture it speaks to.
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/72
Table Of Content
Part 1. Welcome to The O.C.: Understanding the Content and Audiences of The O.C. Chapter 1. Introduction Chapter 2. Youth and Media Culture Chapter 3. "My Life Just Doesn't Work Without You": How Gender Works in The O.C. Chapter 4. Angels and Demons: Depictions of Race and Class on The O.C. Chapter 5. "Gay Dad Trumps Slutty Mom": Sexuality on The O.C. Chapter 6. Welcome to the...Over Consumption?: Representations of Consumerism and The O.C. Chapter 7. Audience Analysis and The O.C. Part 2. The End's Not Near, It's Here: The Cultural Legacy of The O.C. in Today's Media Landscape Chapter 8. Josh Schwartz: Auteur?: Showrunners, Authorship, and The O.C. Chapter 9. Scene and Sound: The Media Aesthetics of The O.C. Chapter 10. The "Real" O.C.?: Reality Television and The O.C. Chapter 11. Conclusion Appendix A. Brief Synopsis of the Four Seasons of The O.C. Appendix B. Methodology
Synopsis
The O.C., A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of FOX's hit teen television drama The O.C. (2003-2007). Episodes of The O.C. are analyzed as a set of media texts that blur the boundaries between hegemonic and counter-hegemonic content. This analysis utilizes ancillary media such as director commentary in conjunction with content in order to understand how ideological content, in regards to gender, race, class, sexuality, and consumerism, is presented throughout the show. The O.C. is also examined in terms of audience analysis, auteur theory, aesthetics, and reality television spin-offs. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as the series' cultural legacy which continues to resonate in media and culture., The O.C.: A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of the hit television series The O.C. (2003-2007). The show is examined in terms of five ideological aspects as well as audience reception, auteur theory, aesthetics, and reality television imitators. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as its lasting influence on media and culture.
LC Classification Number
PN1992.77.O18B57
Copyright Date
2012
ebay_catalog_id
4

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