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After Dracula: The 1930s Horror Film by Alison Peirse (English) Paperback Book

US $40.04
ApproximatelyPHP 2,237.75
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eBay item number:386223108220
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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN-13
9781848855311
Book Title
After Dracula
ISBN
9781848855311
Subject Area
Performing Arts
Publication Name
After Dracula : the 1930s Horror Film
Publisher
Bloomsbury Publishing
Item Length
9.7 in
Subject
Film / Genres / Horror, Film / General, Film / History & Criticism
Publication Year
2013
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Alison Peirse
Item Weight
12.3 Oz
Item Width
6.2 in
Number of Pages
248 Pages

About this product

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1848855311
ISBN-13
9781848855311
eBay Product ID (ePID)
160013590

Product Key Features

Number of Pages
248 Pages
Language
English
Publication Name
After Dracula : the 1930s Horror Film
Publication Year
2013
Subject
Film / Genres / Horror, Film / General, Film / History & Criticism
Type
Textbook
Author
Alison Peirse
Subject Area
Performing Arts
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9.7 in
Item Width
6.2 in

Additional Product Features

Intended Audience
College Audience
LCCN
2013-404469
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.436164
Table Of Content
Introduction: After Dracula (1931) 1: Non-literary horror: The Mummy (1932) 2: Pre-Code horror: Island of Lost Souls (1932) 3: Post-Regulation horror: Werewolf of London (1935) 4: European horror: Vampyr (1932) 5: British horror: The Ghoul (1933) 6: Poverty Row horror: White Zombie (1932) and Condemned to Live (1935) 7: Intellectual horror: The Black Cat (1934) Conclusion: Rethinking Dracula's Daughter (1936) Appendix: Inclusive, International List of Horror Films, 1930-1939 Bibliography Index
Synopsis
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
LC Classification Number
PN1995.9.H6

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