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American Impressionism and Realism: The Painting of Modern Life, 1885–1915

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Condition:
Very Good
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eBay item number:375252383294

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“100% Satisfaction Guaranteed! Used book in good and clean conditions. Pages are clean and free of ...
ISBN
9780300199505
Subject Area
Art
Publication Name
American Impressionism and Realism : the Painting of Modern Life, 1885-1915
Publisher
Yale University Press
Item Length
12 in
Subject
History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / Permanent Collections, Collections, Catalogs, Exhibitions / General, American / General, History / General
Publication Year
2013
Type
Textbook
Format
Trade Paperback
Language
English
Author
Doreen Bolger, H. Barbara Weinberg, David Park Curry
Item Weight
79.5 Oz
Item Width
9.5 in
Number of Pages
384 Pages

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300199503
ISBN-13
9780300199505
eBay Product ID (ePID)
167564524

Product Key Features

Number of Pages
384 Pages
Publication Name
American Impressionism and Realism : the Painting of Modern Life, 1885-1915
Language
English
Subject
History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / Permanent Collections, Collections, Catalogs, Exhibitions / General, American / General, History / General
Publication Year
2013
Type
Textbook
Subject Area
Art
Author
Doreen Bolger, H. Barbara Weinberg, David Park Curry
Format
Trade Paperback

Dimensions

Item Weight
79.5 Oz
Item Length
12 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.13/09/0340747471
Synopsis
American Impressionism and Realism: The Painting of Modern Life, 1885-1915 brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals--notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. The continuities between these two groups are more impressive and the constrasts more subtle, a complexity that is highlighted by arranging the works not by artist or chronology, but by broad subject categories: the country, the city, and the home. The turn of the last century was a time of unprecedented political, economic, and social change due to industrialization, rise of the middle class, redefinition of family and gender roles, and a new scientific understanding of the world. People were acutely aware that they were living in a new age, and modernity became a key concept in their definition of themselves and their times. Charles Baudelaire's issued a mandate in his essay "The Painting of Modern Life" in 1863, that modernity must accompany true beauty in painting. In their dazzling sunlit landscapes, bustling city views, and glimpses of the domestic scene, the American Impressionists and Realists became Baudelairean painters of modern life yet also expressed the nationalism, optimism, euphemism, and nostalgia that typified the American response to the exciting and daunting developments of their new era. This book was originally published in 1994 and has gone out of print. This edition is a print-on-demand version of the original book.], American Impressionism and Realism: The Painting of Modern Life, 1885-1915 brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals--notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. The continuities between these two groups are more impressive and the constrasts more subtle, a complexity that is highlighted by arranging the works not by artist or chronology, but by broad subject categories: the country, the city, and the home. The turn of the last century was a time of unprecedented political, economic, and social change due to industrialization, rise of the middle class, redefinition of family and gender roles, and a new scientific understanding of the world. People were acutely aware that they were living in a new age, and modernity became a key concept in their definition of themselves and their times. Charles Baudelaire's issued a mandate in his essay "The Painting of Modern Life" in 1863, that modernity must accompany true beauty in painting. In their dazzling sunlit landscapes, bustling city views, and glimpses of the domestic scene, the American Impressionists and Realists became Baudelairean painters of modern life yet also expressed the nationalism, optimism, euphemism, and nostalgia that typified the American response to the exciting and daunting developments of their new era. [This book was originally published in 1994 and has gone out of print. This edition is a print-on-demand version of the original book.] Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Item description from the seller

Crown City Books

Crown City Books

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We are pleased to have located your pick for your personal library. You may note some remnants of your book's past life - an autograph, an inscription, a dog-eared corner, some yellowed pages. We ...
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