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Robert Altman : Interviews, Paperback by Altman, Robert, Like New Used, Free ...

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eBay item number:364863546066
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Item specifics

Condition
Like New: A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is ...
ISBN
9781578061877
Book Title
Robert Altman : Interviews
Book Series
Conversations with Filmmakers Ser.
Publisher
University Press of Mississippi
Item Length
9 in
Publication Year
2000
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
David Sterritt
Genre
Performing Arts
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Item Weight
12.3 Oz
Item Width
6 in
Number of Pages
276 Pages

About this product

Product Identifiers

Publisher
University Press of Mississippi
ISBN-10
1578061873
ISBN-13
9781578061877
eBay Product ID (ePID)
431095

Product Key Features

Book Title
Robert Altman : Interviews
Number of Pages
276 Pages
Language
English
Publication Year
2000
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Illustrator
Yes
Genre
Performing Arts
Author
David Sterritt
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
99-026928
Dewey Edition
21
Dewey Decimal
791.43/0233/092
Synopsis
Robert Altman is one of the most inventive, unpredictable, and hotly debated American filmmakers of the past thirty years. His movies include popular hits ( M.A.S.H. , Nashville ), critical successes ( Thieves Like Us , The Long Goodbye , Short Cuts ), and outright disasters ( Beyond Therapy ). Through triumph and tribulation alike, Altman has never lost the experimental spirit that brought him into feature filmmaking after twenty years of refining his talent on industrial movies and TV episodes. He also has maintained a gregarious, often garrulous nature, rarely missing an opportunity to discuss his work, life, and ambitions with the many critics and scholars who have plied him with questions throughout his career. The lively interviews in this book, drawn from a wide variety of sources, range from a colorful talk with Altman as he prepared an early foray into the western genre ( McCabe and Mrs. Miller ) to a mid-1990s conversation about the challenges of blending jazz and cinema in Kansas City . The interviews probe the many corners of Altman's work, including his epic battles with Hollywood studios and producers, his deep commitment to independent production, his creative views on video and stage-to-screen adaptation (a major facet of his career), and his insistence that he is more an audiovisual artist than a storytelling entertainer. Altman's conversations cast light on his idiosyncratic personality, revealing his taste for intoxicating experiences both on and off the screen and suggesting links between his risk-taking behaviors at the gambling table and the motion-picture set. This collection of interviews is a first-person portrait of a true American maverick whose freewheeling career has waged a decades-long campaign against Hollywood complacency and served as inspiration for new generations of independent screen artists., Collected interviews with the unpredictable and controversial filmmaker of M.A.S.H. , Nashville , and Short Cuts, Robert Altman is one of the most inventive, unpredictable, and hotly debated American filmmakers of the past thirty years. His movies include popular hits (M.A.S.H., Nashville), critical successes (Thieves Like Us, The Long Goodbye, Short Cuts), and outright disasters (Beyond Therapy). Through triumph and tribulation alike, Altman has never lost the experimental spirit that brought him into feature filmmaking after twenty years of refining his talent on industrial movies and TV episodes. He also has maintained a gregarious, often garrulous nature, rarely missing an opportunity to discuss his work, life, and ambitions with the many critics and scholars who have plied him with questions throughout his career. The lively interviews in this book, drawn from a wide variety of sources, range from a colorful talk with Altman as he prepared an early foray into the western genre (McCabe and Mrs. Miller) to a mid-1990s conversation about the challenges of blending jazz and cinema in Kansas City. The interviews probe the many corners of Altman's work, including his epic battles with Hollywood studios and producers, his deep commitment to independent production, his creative views on video and stage-to-screen adaptation (a major facet of his career), and his insistence that he is more an audiovisual artist than a storytelling entertainer. Altman's conversations cast light on his idiosyncratic personality, revealing his taste for intoxicating experiences both on and off the screen and suggesting links between his risk-taking behaviors at the gambling table and the motion-picture set. This collection of interviews is a first-person portrait of a true American maverick whose freewheeling career has waged a decades-long campaign against Hollywood complacency and served as inspiration for new generations of independent screen artists. David Sterritt has been film critic for The Christian Science Monitor since 1968. He is an associate professor of film at Long Island University and the editor of Jean-Luc Godard: Interviews (University Press of Mississippi).
LC Classification Number
PN1998.3.A48A5 2000

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