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Odysseys of Recognition : Performing Intersubjectiv
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eBay item number:364769079739
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Odysseys of Recognition : Performing Intersubjectivity in Homer,
- ISBN
- 9781684480388
- Subject Area
- Literary Criticism, Philosophy, Performing Arts
- Publication Name
- Odysseys of Recognition : Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist
- Item Length
- 9 in
- Publisher
- Bucknell University Press
- Subject
- European / German, Drama, Theater / History & Criticism, Shakespeare, Movements / Phenomenology, History & Surveys / Ancient & Classical, Aesthetics, Ancient & Classical
- Publication Year
- 2019
- Series
- New Studies in the Age of Goethe Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Width
- 6 in
- Item Weight
- 22.1 Oz
- Number of Pages
- 342 Pages
About this product
Product Information
Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.
Product Identifiers
Publisher
Bucknell University Press
ISBN-10
1684480388
ISBN-13
9781684480388
eBay Product ID (ePID)
11038602315
Product Key Features
Publication Name
Odysseys of Recognition : Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist
Format
Hardcover
Language
English
Subject
European / German, Drama, Theater / History & Criticism, Shakespeare, Movements / Phenomenology, History & Surveys / Ancient & Classical, Aesthetics, Ancient & Classical
Publication Year
2019
Series
New Studies in the Age of Goethe Ser.
Type
Textbook
Subject Area
Literary Criticism, Philosophy, Performing Arts
Number of Pages
342 Pages
Dimensions
Item Length
9 in
Item Height
0.9 in
Item Width
6 in
Item Weight
22.1 Oz
Additional Product Features
LCCN
2018-029485
Intended Audience
College Audience
Lc Classification Number
Pn56
Grade from
Eleventh Grade
Reviews
Wiggins's monograph solicits and breaks ground for further readings in and beyond the texts he addresses. For whether it is a question of the most often cited texts of antiquity, their reinventions in the renaissance, or their adaptations in Weimar Classicism, and romanticism, Wiggins's interventions will have altered what it means to come to know them., This is an intelligent, serious, patient, and innovative work. It is also beautifully written: nimble, unaffected, crystal-clear, and often entertaining., "To take Wiggins at his word, the varied recognitions that result from his painstaking analyses are both decisively conclusive and tantalizingly openended. The point is to learn to be amenable to change in all its potentiality-- that is, without settling for a substantial conclusion that would preclude further modification. In this way Wiggins's assiduous brand of literary criticism acquires ethical urgency. As he beautifully formulates it, given the temporal nature of intersubjective, performative relations, any conclusion "is never fully commensurate with or explanatory of the living complexity of another human.", Ellwood Wiggins has produced a learned and thoughtful study of Aristotelian anagnorisis and its applicability to literary texts from Homer to Kleist., Poised between literary studies, philosophy, and political theory, the elegant Odysseys of Recognition will be of interest to a broad range of scholars. Scholars of the Goethezeit will find much to contemplate, as will classicists and philosophers.
Table of Content
Overview of Contents ... vii Illustrations ... viii Abbreviations ... ix A Note on Translations and Orthography ... xi Introduction: Performing Recognition ... 1 Interiority Illusion Instantaneousness Illusion Recognition as Performance Aims and Scope of Readings Part I. Marking the Limits of Recognition: Between Aristotle and the Odyssey ... 31 1 "Just as the name itself signifies": Under the Sign of Recognition ... 37 Nostalgia and Recognition Recognitions in Mycenae and Sparta Nostalgic Recognition and Epic Afterness Self-signification and the Nostalgia of Semiotics 2 "Recognition is a change": Performance in Motion ... 84 Rhapsodic Mimesis and Narration Change in Aristotle's Physics and Poetics Crying for Show in the Odyssey Recognition in Performance Theory and Moral Philosophy 3 "From ignorance to knowledge": Penelope's Poetological Epistemology ... 131 Penelopean Epistemology (Reading Penelope) Penelopean Poetics (Penelope Reading) 4 "Into friendship or enmity": An Ethics of Authentic Deception ... 164 5 "For those bound for good or bad fortune": Casualties of Recognition ... 193 Part II. Outing Interiority: Modern Recognitions ... 211 6 Self-Knowledge Between Plato and Shakespeare: Alcibiades and Troilus and Cressida ... 218 Philosophy or Theater? Mirrored Dramatic Structures Mirrored Selves 7 Metamorphoses of Recognition: Goethe's "Fortunate Event" ... 248 "Glückliches Ereignis" as Anagnorisis Scene Recognizing Action: Visualizing Stories Recognizing Things: Experiencing Ideas Recognizing People: Moving Tableaux 8 Epistemologies of Recognition: Goethe's Iphigenie auf Tauris and the Spectacle of Catharsis ... 292 Spirals of Intertextual Performance Intertextual Intersubjectivity Intertextual Spectacle The Effects of Tragedy 9 Politics of Recognition: Friends, Enemies, and Goethe's Iphigenie ... 324 Between Recognition and Acknowledgement The Exception of Friendship The Promise of Politics 10 The Fate of Recognition: Kleist's Penthesilea ... 361 The Mirrored Gaze Plays within Plays Concluding Reflections: Signifying Silence in Blumenberg and Kafka ... 403 Acknowledgements ... 417 Bibliography ... 421 Index ... 448 About the Author ... 449
Copyright Date
2019
Illustrated
Yes
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