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Beethoven / Vojta / - Metamorphosis / Music for Horn & Piano [New CD]
US $20.85
ApproximatelyPHP 1,159.20
Condition:
Brand New
An item that has never been opened or removed from the manufacturer’s sealing. Item is in original shrink wrap.
More than 10 available
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Free Economy Shipping.
Located in: Shepherdsville, Kentucky, United States
Delivery:
Estimated between Thu, 8 May and Tue, 13 May to 43230
Returns:
60 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
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Seller assumes all responsibility for this listing.
eBay item number:364763721129
Item specifics
- Condition
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- Metamorphosis / Music for Horn & Piano
- Album Name
- Metamorphosis / Music for Horn & Piano
- Type
- Album
- Brand
- Avi
- UPC
- 4260085533831
About this product
Product Identifiers
Record Label
Avrr, AVI
UPC
4260085533831
eBay Product ID (ePID)
6046048786
Product Key Features
Format
CD
Release Year
2018
Genre
Classical Artists
Artist
Beethoven / Vojta / Koch
Release Title
Metamorphosis / Music for Horn & Piano
Dimensions
Item Height
0.33 in
Item Weight
0.16 lb
Item Length
5.53 in
Item Width
4.92 in
Additional Product Features
Number of Discs
1
Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
1.1 Beethoven: Sonata for Piano and Horn in F Major Op. 17 (1800) - I. Allegro Moderato 1.2 Beethoven: Sonata for Piano and Horn in F Major Op. 17 (1800) - II. Poco Adagio, Quasi Andante 1.3 Beethoven: Sonata for Piano and Horn in F Major Op. 17 (1800) - III. Rondo. Allegro Moderato 1.4 Schumann: Adagio and Allegro for Pianoforte and Horn Op. 70 - I. Langsam, Mit Innigem Ausdruck 1.5 Schumann: Adagio and Allegro for Pianoforte and Horn Op. 70 - II. Rasch Und Feurig 1.6 Schumann: Fantasiestucke Op. 73 (1849) Arr. for Horn By P. Vojta - I. Zart Und Mit Ausdruck 1.7 Schumann: Fantasiestucke Op. 73 (1849) Arr. for Horn By P. Vojta - II. Lebhaft Leicht 1.8 Schumann: Fantasiestucke Op. 73 (1849) Arr. for Horn By P. Vojta - III. Rasch Und Mit Feuer 1.9 Schumann: Three Romances Op. 94 (1849) Arr. for Horn By P. Vojta - I. Nicht Schnell 1.10 Schumann: Three Romances Op. 94 (1849) Arr. for Horn By P. Vojta - II. Einfach, Innig 1.11 Schumann: Three Romances Op. 94 (1849) Arr. for Horn By P. Vojta - III. Nicht Schnell 1.12 Klebe: Alterations of the Sonata for Piano Op. 27/2 By Ludwig Van Beethoven Into Sonata for Horn and Piano Op. 95 (1986) - I. Adagio Sostenuto 1.13 Klebe: Sonata for Horn and Piano Op. 95 (1986) - II. Allegretto 1.14 Klebe: Sonata for Horn and Piano Op. 95 (1986) - III. Allegro Agitato
Notes
Alteration and transformation, influence and interaction! The horn and the piano have gone through immense changes over the course of time, as this recording with works by Beethoven, Schumann and Klebe intends to illustrate. The natural horn, the Romantic valve horn and the modern horn enter in dialogue with the fortepiano, the Romantic piano and the modern grand. On this release, Premysl Vojta and Tobias Koch have embarked on an adventurous musical expedition in the recording studio by dealing with three different types of horns and three different keyboard instruments in the course of three days, thereby attempting to span a wide musical range that depicts the transformation of the historical timbre ideal, condensed as a time lapse. The duo's intention is to show how the language of musical composition itself has undergone profound change on the basis of certain instrumental modifications. The distance covered is immense: from Beethoven's Horn Sonata, still entirely immersed in the style of the late 18th century, passing through Robert Schumann's Romantic attitude and leading to Giselher Klebe's Alteration of Beethoven's so-called Moonlight Sonata, thereby creating a technically challenging work with perspectives that mirror a multitude of tendencies. It is no coincidence that this programme, in so doing, returns to Beethoven, albeit experienced in a very different way: in Klebe's work, innovative, revolutionary elements of composition and instrumental technique are directly noticeable.
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