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Ceramics and the Museum by Laura Breen (English) Hardcover Book
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Located in: Fairfield, Ohio, United States
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eBay item number:364461606605
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- ISBN-13
- 9781350047822
- Book Title
- Ceramics and the Museum
- ISBN
- 9781350047822
- Subject Area
- Design, Travel, Art, Crafts & Hobbies
- Publication Name
- Ceramics and the Museum
- Publisher
- Bloomsbury Academic & Professional
- Item Length
- 9.2 in
- Subject
- Museums, Tours, Points of Interest, Museum Studies, General, Ceramics, Pottery & Ceramics
- Publication Year
- 2019
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 18.9 Oz
- Item Width
- 6.1 in
- Number of Pages
- 256 Pages
About this product
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1350047821
ISBN-13
9781350047822
eBay Product ID (ePID)
13038840218
Product Key Features
Number of Pages
256 Pages
Publication Name
Ceramics and the Museum
Language
English
Subject
Museums, Tours, Points of Interest, Museum Studies, General, Ceramics, Pottery & Ceramics
Publication Year
2019
Type
Textbook
Subject Area
Design, Travel, Art, Crafts & Hobbies
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
18.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Reviews
It has been exciting, over the past decade, to see ceramics assuming a long-awaited central place in contemporary art. While very much to be welcomed, this process has been marked by a certain amnesia, a lack of awareness about the specific character of clay. Laura Breen's book is a timely remedy. She offers a sophisticated and deeply informed view, approaching display as its own discursive form. "Ceramics and the Museum" is essential reading not just for those interested in this one discipline, but anyone interested in how museums approach medium-specific art and design., "It has been exciting, over the past decade, to see ceramics assuming a long-awaited central place in contemporary art. While very much to be welcomed, this process has been marked by a certain amnesia, a lack of awareness about the specific character of clay. Laura Breen's book is a timely remedy. She offers a sophisticated and deeply informed view, approaching display as its own discursive form. "Ceramics and the Museum" is essential reading not just for those interested in this one discipline, but anyone interested in how museums approach medium-specific art and design." -- Glenn Adamson, Senior Scholar at the Yale Center for British Art and Editor of the Journal of Modern Craft, USA "Breen's insightful, meticulously researched and much-needed examination of the dense interplay between exhibitionary strategies and clay practices is a significant and provocative contribution to current museological and ceramic discourses and practices. Six thematic and revealing chapters tackle the tensions facing curators and makers who defend ceramics as a ghettoized field or champion its pluralism." -- Susan Surette, Art History Researcher at Concordia University, Canada, Breen's insightful, meticulously researched and much-needed examination of the dense interplay between exhibitionary strategies and clay practices is a significant and provocative contribution to current museological and ceramic discourses and practices. Six thematic and revealing chapters tackle the tensions facing curators and makers who defend ceramics as a ghettoized field or champion its pluralism.
Illustrated
Yes
Dewey Decimal
738.3094209045
Table Of Content
Introduction Chapter 1: Showing Ceramics Chapter 2: Societal Shifters Chapter 3: Defining Exhibitions Chapter 4: Ceramic Practice and the Collection Chapter 5: Space and Place Chapter 6: Material and Process Conclusion Bibliography
Synopsis
Laura Breen's insightful study examines the relationship between art-oriented ceramic practice and museum practice, addressing profound shifts in making and display since 1970., Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art., Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing, ' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
LC Classification Number
NK4085
ebay_catalog_id
4
Copyright Date
2019
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