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The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpre
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Located in: Santa Ana, California, United States
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Item specifics
- Condition
- ISBN
- 9780028722214
- Subject Area
- Education, Music
- Publication Name
- Grammar of Conducting : a Comprehensive Guide to Baton Technique and Interpretation : A Comprehensive Guide to Baton Technique and Interpretation
- Publisher
- Wadsworth
- Item Length
- 10 in
- Subject
- General, Instruction & Study / Conducting
- Publication Year
- 1995
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Features
- Revised
- Item Weight
- 25.6 Oz
- Item Width
- 7 in
- Number of Pages
- 481 Pages
About this product
Product Information
THE GRAMMAR OF CONDUCTING: A COMPREHENSIVE GUIDE TO BATON TECHNIQUE AND INTERPRETATION provides a comprehensive introduction to the techniques and practical concerns of leading an orchestra. The text proceeds from basic conducting patterns to sophisticated explorations of performance and rehearsal techniques.
Product Identifiers
Publisher
Wadsworth
ISBN-10
0028722213
ISBN-13
9780028722214
eBay Product ID (ePID)
17974
Product Key Features
Number of Pages
481 Pages
Language
English
Publication Name
Grammar of Conducting : a Comprehensive Guide to Baton Technique and Interpretation : A Comprehensive Guide to Baton Technique and Interpretation
Publication Year
1995
Subject
General, Instruction & Study / Conducting
Features
Revised
Type
Textbook
Subject Area
Education, Music
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
25.6 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Edition Number
3
LCCN
93-012310
Dewey Edition
20
Reviews
Preface to the Third Edition. Introduction. PART ONE: BASIC TECHNIQUES. 1. The Neutral-Legato Pattern (4-Beat). 2. Staccato Patterns (4-beat). 3. The Expressive-Legato Pattern (4-Beat). 4. Starting on Counts Other Than the First Count. 5. The 3-Beat. 6. The 2-Beat. 7. The 1-Beat. 8. Dynamics and Articulation. 9. Starting After the Count. 10. The 6-Beat. 11. Subdivision. 12. Number of Beats in a Measure. 13. 5-Time, 7-Time, and Other Asymmetric Time Patterns. PART TWO: APPLICATIONS. 14. Ritardando and Accelerando. 15. The Marcato Pattern. 16. Rests. 17. The Tenuto Pattern. 18. Different Uses for Basic Patterns. 19. Holds. 20. Accents and Syncopation. 21. Phrasing. 22. Changes of Meter and Tempo. 23. Application of Baton Technique. 24. Free Style. PART THREE: EXECUTION AND PERFORMANCE. 25. Achieving Complete Physical Control. 26. On Preparation in General. 27. Score Study and Preparation of Orchestra Materials. 28. Rehearsal Techniques. 29. Conduction Opera. 30. Conduction Choral Works with Orchestra. PART FOUR: INTERPRETATION AND STYLE. 31. Aspects of Interpretation. 32. Choice of Tempo. 33. Aspects of Performance Practice. 34. Aspects of Musical Style. 35. Recollections and Reflections: On Education, Conducting, and a Conductor's Life in Our Time. Appendix A: Discussion of Complete Works or Movements. Appendix B: Wagner's Instructions Regarding the Performance of Two of His Overtures. Appendix C: Carl Maria von Weber, Overture to Oberon. Appendix D: The First Violin Part of Mozart's Symphony no. 35 in D Major (K.385), Marked for Performance. Recommended Reading General Index. Index of Figures and Works.
Target Audience
College Audience
Illustrated
Yes
Dewey Decimal
781.45
Edition Description
Revised Edition
Lc Classification Number
Mt85.R8 1993
Table of Content
Preface to the Third Edition. Introduction. PART ONE: BASIC TECHNIQUES. 1. The Neutral-Legato Pattern (4-Beat). 2. Staccato Patterns (4-beat). 3. The Expressive-Legato Pattern (4-Beat). 4. Starting on Counts Other Than the First Count. 5. The 3-Beat. 6. The 2-Beat. 7. The 1-Beat. 8. Dynamics and Articulation. 9. Starting After the Count. 10. The 6-Beat. 11. Subdivision. 12. Number of Beats in a Measure. 13. 5-Time, 7-Time, and Other Asymmetric Time Patterns. PART TWO: APPLICATIONS. 14. Ritardando and Accelerando. 15. The Marcato Pattern. 16. Rests. 17. The Tenuto Pattern. 18. Different Uses for Basic Patterns. 19. Holds. 20. Accents and Syncopation. 21. Phrasing. 22. Changes of Meter and Tempo. 23. Application of Baton Technique. 24. Free Style. PART THREE: EXECUTION AND PERFORMANCE. 25. Achieving Complete Physical Control. 26. On Preparation in General. 27. Score Study and Preparation of Orchestra Materials. 28. Rehearsal Techniques. 29. Conduction Opera. 30. Conduction Choral Works with Orchestra. PART FOUR: INTERPRETATION AND STYLE. 31. Aspects of Interpretation. 32. Choice of Tempo. 33. Aspects of Performance Practice. 34. Aspects of Musical Style. 35. Recollections and Reflections: On Education, Conducting, and a Conductor''''s Life in Our Time. Appendix A: Discussion of Complete Works or Movements. Appendix B: Wagner''''s Instructions Regarding the Performance of Two of His Overtures. Appendix C: Carl Maria von Weber, Overture to Oberon. Appendix D: The First Violin Part of Mozart''''s Symphony no. 35 in D Major (K.385), Marked for Performance. Recommended Reading General Index. Index of Figures and Works.
Copyright Date
1995
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Seller feedback (140,701)
t***c (4922)- Feedback left by buyer.
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I do wish the books were packed in a box or with some cardboard to protect them from shipping damage. That said, there was some damage to book but it is what it is. Used book described as acceptable, shipped quickly. Looking forward to reading. Thank you.
r***0 (223)- Feedback left by buyer.
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Great and fast shipping
c***g (1822)- Feedback left by buyer.
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Great book. Better than described. Great communications. Thank you. A+++++++