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ORNETTE COLEMAN Round Trip On Blue 6XLP 180G Box Set New! Sealed! 2022 Blue Note
Condition:
New
A brand-new, unused, unopened, undamaged item. See the seller's listing for full details.
Ended: May 12, 2025 03:15:31 PHT
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Shipping:
US $7.63 (approx PHP 423.19) USPS Media MailTM.
Located in: Hudson, New York, United States
Delivery:
Estimated between Thu, 15 May and Tue, 20 May to 43230
Returns:
No returns accepted.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:335945512125
Item specifics
- Condition
- New: A brand-new, unused, unopened, undamaged item. See the seller's listing for full details. See all condition definitionsopens in a new window or tab
- Occasion
- None
- Case Type
- Cardboard Sleeve
- Custom Bundle
- No
- Fidelity Level
- High-Fidelity
- MPN
- None
- Vinyl Matrix Number
- None
- Inlay Condition
- Mint (M)
- Record Grading
- Mint (M)
- Unit Type
- Unit
- Language
- English
- Record Size
- 12"
- Style
- 1960s, Contemporary Jazz, Cool Jazz, Free Jazz, Modal
- Features
- 180-220 gram, Original Cover, Remastered, Sealed
- Performer Orchestra
- None
- Unit Quantity
- 1
- Number of Audio Channels
- Stereo
- Composer
- None
- Speed
- 33 RPM
- Color
- Black
- Material
- Vinyl
- Catalog Number
- B0033607-01
- Edition
- Collector's Edition, First Pressing, New Edition, Reissue, Remastered, Special Edition
- Type
- Box Set
- Sleeve Grading
- Mint (M)
- Producer
- None
- Era
- 1960s
- Instrument
- None, Saxophone
- Conductor
- None
- Run Time
- None
- Country/Region of Manufacture
- United States
- UPC
- 0602435865317
About this product
Product Information
Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career. “I have been an Ornette Coleman fanatic going back to the late-60s, in fact going back to the time the records in this set were originally recorded for Blue Note,” says Harley. “Turns out Don Was is as big an Ornette fan as me, so it was only a matter of time before we put our heads together to plan this boxset. I love those early records Ornette did for Atlantic… who doesn’t? But I feel that Ornette’s later recordings for Blue Note are every bit as vital and important to gain a more complete understanding “It is true that the most shattering of his wails could wake the proverbial dead,” writes Conrad in his essay. “But something happened to Coleman’s tone while he was woodshedding those two years. In the Golden Circle it is still penetrating but more pure. His cries are even more vocal, more human. His control of microtones provides new resources of expression. He can now make the same note sound ecstatic or despairing or anywhere in between, through microtonal nuance.” At The ‘Golden Circle’ Stockholm, Vol. 1 (1965) At The ‘Golden Circle’ Stockholm, Vol. 2 (1965) In late 1965, Coleman embarked on his first tour of Europe with a new trio featuring David Izenzon on bass and Charles Moffett on drums. Two nights of the trio’s two-week engagement at the Golden Circle (Gyllene Cirkeln) in Stockholm, Sweden were recorded and released across two volumes the following year. The freewheeling live sets were electrifying and found the saxophonist jumping off into sound explorations on the violin and trumpet as well. The Empty Foxhole (1966) Coleman’s first studio recording for Blue Note was his first studio album in four years and he once again confounded expectations by selecting his 10-year-old son Denardo Coleman to play drums on the date alongside bassist Charlie Haden. The music is raw and exploratory with solemn ruminations and bursts of unbridled joy. The striking album cover features a painting by Ornette himself. New And Old Gospel (1967) Coleman’s next appearance on a Blue Note album came in a rare sideman role on this explosive session led by alto saxophonist Jackie McLean. McLean had already waded into the avant-garde on prior Blue Note dates like One Step Beyond and Destination… Out!, but he went even deeper here with Coleman featured entirely on trumpet along with LaMont Johnson on piano, Scott Holt on bass, and Billy Higgins on drums. Following an extended suite by McLean on Side 1, the second half of the program featured two Coleman c New York Is Now! (1968) Love Call (1968) On April 29 and May 7, 1968, Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results. BLUE NOTE RECORDS - ROUND TRIP - THE COMPLETE ORNETTE COLEMAN
Product Identifiers
Record Label
Blun, Blue Note Records
UPC
0602435865317
eBay Product ID (ePID)
26053078645
Product Key Features
Release Year
2022
Format
Record
Genre
Jazz
Artist
Coleman, Ornette
Release Title
Round Trip-The Complete Ornette Coleman
Dimensions
Item Height
2.15 in
Item Weight
6.78 lb
Item Length
12.69 in
Item Width
12.56 in
Additional Product Features
Number of Tracks
26
Country/Region of Manufacture
United States
Tracks
1.1 Announcement / Faces and Places 1.2 European Echoes 2.1 Dee Dee 2.2 Dawn 3.1 Snowflakes and Sunshine 3.2 Morning Song 4.1 The Riddle 4.2 Antiques 5.1 Good Old Days 5.2 The Empty Foxhole 5.3 Sound Gravitation 6.1 Freeway Express 6.2 Faithful 6.3 Zig Zag 7.1 The Garden of Souls 7.2 Toy Dance 8.1 We Now Interrupt for a Commercial 8.2 Broad Way Blues 8.3 Round Trip 9.1 Airborne 9.2 Love Call 10.1 Open to the Public 10.2 Check Out Time 11.1 The Inevitable End 12.1 Old Gospel 12.2 Strange As It Seems
Number of Discs
6
Notes
Box set containing six vinyl LPs. Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career. This set includes the albums At The 'Golden Circle' Stockholm, Vol. 1 (1965), At The 'Golden Circle' Stockholm, Vol. 2 (1965), The Empty Foxhole (1966), New And Old Gospel (1967), New York Is Now! (1968), and Love Call (1968).
Item description from the seller
Seller feedback (2,034)
- n***e (2455)- Feedback left by buyer.Past monthVerified purchaseAs described but better. Beautiful print with vivid color.
- m***p (1169)- Feedback left by buyer.Past monthVerified purchaseGreat eBay Seller. Very professional. Well packed.
- 5***b (529)- Feedback left by buyer.Past monthVerified purchaseMagazine is in great shape and was shipped very quickly. Even better condition than good. Great seller which I will buy from again.
Seller feedback (2,034)
- n***e (2455)- Feedback left by buyer.Past monthVerified purchaseAs described but better. Beautiful print with vivid color.
- m***p (1169)- Feedback left by buyer.Past monthVerified purchaseGreat eBay Seller. Very professional. Well packed.
- 5***b (529)- Feedback left by buyer.Past monthVerified purchaseMagazine is in great shape and was shipped very quickly. Even better condition than good. Great seller which I will buy from again.