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GENTLEMAN TROUBADOURS AND ANDEAN POP STARS: HUAYNO MUSIC, By Joshua Tucker Mint
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eBay item number:335344887618
Item specifics
- Condition
- Like New
- Seller Notes
- ISBN-10
- 0226923967
- Book Title
- Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media
- ISBN
- 9780226923963
- Subject Area
- Music, Business & Economics, Social Science
- Publication Name
- Gentleman Troubadours and Andean Pop Stars : Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru
- Item Length
- 0.9 in
- Publisher
- University of Chicago Press
- Subject
- History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Sociology / General, General, Genres & Styles / Latin, Industries / Entertainment, Genres & Styles / Pop Vocal
- Publication Year
- 2013
- Series
- Chicago Studies in Ethnomusicology Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.1 in
- Item Width
- 0.7 in
- Item Weight
- 13 Oz
- Number of Pages
- 240 Pages
About this product
Product Information
Exploring Peru's lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru's emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes. Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city's huayno music into the country's most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226923967
ISBN-13
9780226923963
eBay Product ID (ePID)
143637365
Product Key Features
Publication Name
Gentleman Troubadours and Andean Pop Stars : Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru
Format
Trade Paperback
Language
English
Subject
History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Sociology / General, General, Genres & Styles / Latin, Industries / Entertainment, Genres & Styles / Pop Vocal
Publication Year
2013
Series
Chicago Studies in Ethnomusicology Ser.
Type
Textbook
Subject Area
Music, Business & Economics, Social Science
Number of Pages
240 Pages
Dimensions
Item Length
0.9 in
Item Height
0.1 in
Item Width
0.7 in
Item Weight
13 Oz
Additional Product Features
LCCN
2012-021910
Lc Classification Number
Ml3917.P43t83 2013
Reviews
In this fine study, Joshua Tucker masterfully charts the tortuous journey of Ayacucho's huayno music from the early decades of the twentieth century into the twenty-first, a story powerfully interwoven with Peru's troubled history and uneven social landscapes. As a genre steeped in Hispanic elitism and intellectualism--and complicit in the reproduction of Peruvian musical and social hierarchies--Ayacuchano huayno's refined sentiments did not always inspire widespread popularity. Yet, fused with contemporary sounds and presented with an upbeat style by radio DJs, this music temporarily eclipsed other forms of Peruvian popular music. Tucker's attention to the key role of media workers in these developments is an especially important contribution, with much applicability for studies elsewhere., The predominant theme of Gentleman Troubadours and Andean Pop Stars is musical indigenismo , comprising the process by which the urban mestizo bourgeoisie has, over the past century, ambivalently and selectively appropriated and even fancifully fabricated Andean Indian identity markers, from lyrics about Andean rural life, to college students wearing ponchos and playing panpipes, to the cultivation of a salon huayno that is at once somehow Andean and vaguely Indian while also being urbane and polished. Tucker does a marvelous job of exposing and interpreting indigenismo as a largely urban mestizo phenomenon that celebrates Indianness while erasing actual Indians and their voices., By combining fieldwork in Ayacucho and Lima with historical research, this wonderful book reveals the complex way in which musicians, record companies, radio DJs, and changing audiences create popular music genres in contemporary Peru. From the opening bus ride through the sonic neighborhoods of Lima to the concluding chapter on how a genre gains and loses its audiences, this is a great example of the kind of fine-grained ethnography and careful media research that are necessary for understanding popular music in specific communities., In this fine study, Joshua Tucker masterfully charts the tortuous journey of Ayacucho's huayno music from the early decades of the twentieth century into the twenty-first, a story powerfully interwoven with Peru's troubled history and uneven social landscapes. As a genre steeped in Hispanic elitism and intellectualism-and complicit in the reproduction of Peruvian musical and social hierarchies-Ayacuchano huayno's refined sentiments did not always inspire widespread popularity. Yet, fused with contemporary sounds and presented with an upbeat style by radio DJs, this music temporarily eclipsed other forms of Peruvian popular music. Tucker's attention to the key role of media workers in these developments is an especially important contribution, with much applicability for studies elsewhere., Hesselink offers a groundbreaking historiography of SamulNori, as well as an analysis of the music that shows how SamulNori makes its own innovative sonic features., The predominant theme of Gentleman Troubadours and Andean Pop Stars is musical indigenismo , comprising the process by which the urban mestizo bourgeoisie has, over the past century, ambivalently and selectively appropriated and even fancifully fabricated Andean Indian identity markers, from lyrics about Andean rural life, to college students wearing ponchos and playing panpipes, to the cultivation of a salon huayno that is at once somehow Andean and vaguely Indian while also being urbane and polished. Tucker does a marvelous job of exposing and interpreting indigenismo as a largely urban mestizo phenomenon that celebrates Indianness while erasing actual Indians and their voices.
Table of Content
Acknowledgments Introduction / Cities, Sounds, and Circulation in Twenty-first Century Peru One / The Distributed Society Two / The Andean Music Scene Three / Bohemians, Poets, and Troubadours Four / The Commercial Huayno Business Five / Finding the Huayno People Epilogue / Folkloric Frames and Mass Culture Notes Bibliography Index
Copyright Date
2013
Target Audience
Scholarly & Professional
Dewey Decimal
781.64098509051
Dewey Edition
23
Illustrated
Yes
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