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Thomas F. Dunhill Sullivan's Comic Operas A Critical Appreciation (Paperback)
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eBay item number:315108859806
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Sullivan's Comic Operas a Critical Appreciation
- Publication Name
- Sullivan's Comic Operas A Critical Appreciation
- Title
- Sullivan's Comic Operas A Critical Appreciation
- ISBN-10
- 141790691X
- EAN
- 9781417906918
- ISBN
- 9781417906918
- Publisher
- Kessinger Publishing
- Format
- Trade Paperback
- Release Year
- 2005
- Release Date
- 01/04/2005
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 229mm
- Item Length
- 152mm
- Item Width
- 14mm
- Item Weight
- 381g
- Genre
- Music
- Publication Year
- 2005
- Features
- Reprint
- Topic
- Genres & Styles / Opera, Individual Composer & Musician
About this product
Product Identifiers
Publisher
Kessinger Publishing
ISBN-10
141790691X
ISBN-13
9781417906918
eBay Product ID (ePID)
5038741415
Product Key Features
Publication Year
2005
Book Title
Sullivan's Comic Operas a Critical Appreciation
Topic
Genres & Styles / Opera, Individual Composer & Musician
Language
English
Features
Reprint
Genre
Music
Format
Trade Paperback
Additional Product Features
Edition Description
Reprint
Synopsis
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work., Sullivan's Comic Operas: A Critical Appreciation is a book written by Thomas F. Dunhill that provides a comprehensive analysis of the comic operas composed by Arthur Sullivan. The book is a critical appreciation of Sullivan's works, exploring his creative process, musical style, and the cultural context in which he worked. The book is divided into several chapters, each of which covers a different aspect of Sullivan's career. The first chapter provides an introduction to Sullivan's life and work, while the second chapter explores his collaborations with W.S. Gilbert, the librettist with whom he created some of his most famous works. Subsequent chapters delve into specific operas, including The Sorcerer, H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each chapter provides a detailed analysis of the opera's plot, characters, and music, as well as its critical reception and historical significance. Throughout the book, Dunhill emphasizes Sullivan's contributions to the development of the comic opera genre, highlighting his use of musical parody, his mastery of ensemble writing, and his skill in creating memorable melodies. Overall, Sullivan's Comic Operas: A Critical Appreciation is a valuable resource for anyone interested in the history of musical theater, the works of Arthur Sullivan, or the development of British culture in the late 19th and early 20th centuries.1928. Contents: Mainly in Defense; Origins and Influences. From the First Efforts to Trial by Jury; The Pre-Savoy Operas-I. The Sorcerer and H.M.S. Pinafore; The Pre-Savoy Operas-II. The Pirates of Penzance and Patience; The Savoy Operas-I. Iolanthe and Princess Ida; The Savoy Operas-II. The Mikado and Ruddigore; The Savoy Operas-III. The Yeomen of the Guard and The Gondoliers; Ivanhoe and the Last Savoy Operas; Sullivan and the Orchestra; and Recognition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work., 1928. Contents: Mainly in Defense; Origins and Influences. From the First Efforts to Trial by Jury; The Pre-Savoy Operas-I. The Sorcerer and H.M.S. Pinafore; The Pre-Savoy Operas-II. The Pirates of Penzance and Patience; The Savoy Operas-I. Iolanthe and Princess Ida; The Savoy Operas-II. The Mikado and Ruddigore; The Savoy Operas-III. The Yeomen of the Guard and The Gondoliers; Ivanhoe and the Last Savoy Operas; Sullivan and the Orchestra; and Recognition.
Item description from the seller
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