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. Heckert Ed Ruscha and Some Los Angeles Apartments (Hardback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Book Title
Ed Ruscha and Some Los Angeles Apartments
Publication Name
Ed Ruscha and Some Los Angeles Apartments
Title
Ed Ruscha and Some Los Angeles Apartments
Author
Virginia Heckert
Format
Trade Paperback
ISBN-10
1606061380
EAN
9781606061381
ISBN
9781606061381
Publisher
Getty Publications
Genre
Art, Travel, Photography, Business & Economics
Release Year
2013
Release Date
25/04/2013
Language
English
Country/Region of Manufacture
US
Item Height
0.4 in
Item Length
10 in
Item Width
8 in
Item Weight
15.1 Oz
Publication Year
2013
Illustrator
Yes
Topic
Individual Artists / General, Individual Photographers / Monographs, Real Estate / General, General, Collections, Catalogs, Exhibitions / General, United States / West / Pacific (Ak, CA, Hi, Or, Wa), Photoessays & Documentaries
Number of Pages
88 Pages

About this product

Product Identifiers

Publisher
Getty Publications
ISBN-10
1606061380
ISBN-13
9781606061381
eBay Product ID (ePID)
150637593

Product Key Features

Book Title
Ed Ruscha and Some Los Angeles Apartments
Number of Pages
88 Pages
Language
English
Publication Year
2013
Topic
Individual Artists / General, Individual Photographers / Monographs, Real Estate / General, General, Collections, Catalogs, Exhibitions / General, United States / West / Pacific (Ak, CA, Hi, Or, Wa), Photoessays & Documentaries
Illustrator
Yes
Genre
Art, Travel, Photography, Business & Economics
Author
Virginia Heckert
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
15.1 Oz
Item Length
10 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-037629
Reviews
"Concept preceding image is an approach which now dominates contemporary photography, but it wasn't always so. Victoria Heckert's book serves as a helpful history lesson."-- Photo-Eye Blog, "An elaboration of Ruscha's 1965 book, providing a commentary on and superior reproductions of the original black and white photographs."-- Form Magazine, Concept preceding image is an approach which now dominates contemporary photography, but it wasn't always so. Victoria Heckert's book serves as a helpful history lesson."— Photo-Eye Blog, An elaboration of Ruscha's 1965 book, providing a commentary on and superior reproductions of the original black and white photographs."— Form Magazine, A slim but essential volume. . . . As such examples of mid-century design disappear or fall into disrepair, the utilitarian clarity of these images make a book like Some Los Angeles Apartments a valuable document, and an unexpectedly moving one. What began as a perhaps ironic concept has, with the passing years, taken on the resonance of something lost to history."— Spectrum Culture, "A slim but essential volume. . . . As such examples of mid-century design disappear or fall into disrepair, the utilitarian clarity of these images make a book like Some Los Angeles Apartments a valuable document, and an unexpectedly moving one. What began as a perhaps ironic concept has, with the passing years, taken on the resonance of something lost to history."-- Spectrum Culture
Dewey Edition
23
Dewey Decimal
779/.440979494
Synopsis
Los Angeles-based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, his photobooks of the 1960s--such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots --are known for their deadpan cataloguing of the city's functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves. Virginia Heckert contextualizes Ruscha's photographs within the history of photographic documentation of vernacular architecture, using examples by such important photographers as Carleton Watkins, Eugène Atget, and Walker Evans, as well as contemporary photographers, many of whom have acknowledged Ruscha as an influence in their own depiction of the built environment., Los Angeles-based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, his photobooks of the 1960s--such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots --are known for their deadpan cataloguing of the city's functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves. Virginia Heckert contextualizes Ruscha's photographs within the history of photographic documentation of vernacular architecture, using examples by such important photographers as Carleton Watkins, Eugne Atget, and Walker Evans, as well as contemporary photographers, many of whom have acknowledged Ruscha as an influence in their own depiction of the built environment. Ed Ruscha and "Some Los Angeles Apartments" accompanies an exhibition titled In Focus: Ed Ruscha, on view at the J. Paul Getty Museum from April 9 to September 29, 2013., Los Angeles-based contemporary artist Ed Ruscha is celebrated for his paintings, drawings, prints, and artist's books, receiving widespread critical acclaim for more than half a century. Capturing the quintessential Los Angeles experience with its balance of the banal and the beautiful, his photobooks of the 1960s--such as Twentysix Gasoline Stations , Every Building on the Sunset Strip , Some Los Angeles Apartments , and Thirtyfour Parking Lots --are known for their deadpan cataloguing of the city's functional architecture. This publication features thirty-eight Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to the end of his self-published photobooks and eventually as works of art in and of themselves. Virginia Heckert contextualizes Ruscha's photographs within the history of photographic documentation of vernacular architecture, using examples by such important photographers as Carleton Watkins, Eug ne Atget, and Walker Evans, as well as contemporary photographers, many of whom have acknowledged Ruscha as an influence in their own depiction of the built environment. Ed Ruscha and "Some Los Angeles Apartments" accompanies an exhibition titled In Focus: Ed Ruscha, on view at the J. Paul Getty Museum from April 9 to September 29, 2013.
LC Classification Number
TR647.H43 2013

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