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Paradigms for a Metaphorology by Blumenberg, Hans

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
Binding
Hardcover
Product Group
Book
Book Title
Paradigms for a Metaphorology
Weight
0 lbs
IsTextBook
No
ISBN
9780801449253

About this product

Product Identifiers

Publisher
Cornell University Press
ISBN-10
0801449251
ISBN-13
9780801449253
eBay Product ID (ePID)
80094196

Product Key Features

Number of Pages
104 Pages
Publication Name
Paradigms for a Metaphorology
Language
English
Subject
Methodology, General, Linguistics / Historical & Comparative, Semiotics & Theory
Publication Year
2010
Type
Textbook
Subject Area
Literary Criticism, Philosophy, Language Arts & Disciplines
Author
Hans Blumenberg
Series
Signale: Modern German Letters, Cultures, and Thought Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-013565
Dewey Edition
22
Reviews
"Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough . . . . And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable. . . . In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume."--David Adams, Notre Dame Philosophical Reviews, "Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough . . . . And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable. . . . In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume."-David Adams, Notre Dame Philosophical Reviews (23 August 2011), "Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough . . . . And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable. . . . In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume."--David Adams, Notre Dame Philosophical Reviews (23 August 2011), Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough.... And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable.... In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume., Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough.... And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable.... In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume.
Grade From
College Graduate Student
Dewey Decimal
808
Table Of Content
Hans Blumenberg: An Introduction Part I: History, Secularization, and Reality 1. The Linguistic Reality of Philosophy (1946/1947) 2. World Pictures and World Models (1961) 3. "Secularization": Critique of a Category of Hisotrical Illegitimacy (1964) 4. The Concept of Reality and the Theory of the State (1968/1969) 5. Preliminary Remarks on the Concept of Reality (1974) Part II: Metaphors, Rhetoric, and Nonconceptuality 6. Light as a Metaphor for Truth: At the Preliminary Stage of Philosophical Concept Formation (1957) 7. Introduction to Paradigms for a Metaphorology (1960) 8. An Anthropological Approach to the Contemporary Significance of Rhetoric (1971) 9. Observations Drawn from Metaphors (1971) 10. Prospect for a Theory of Nonconceptuality (1979) 11. Theory of Nonconceptuality (circa 1975, excerpt) Part III: Nature, Technology, and Asthetics 12. The Relationship between Nature and Technology as a Philosophical Problem (1951) 13. "Imitation of Nature": Toward a Prehistory of the Idea of the Creative Being (1957) 14. Phenomenological Aspects on Life-World and Technization (1963) 15. Socrates and the objet ambigu: Paul Valery's Discussion of the Ontology of the Aesthetic Object and Its Tradition (1964) 16. The Essential Ambiguity of the Aesthetic Object (1966) 17. Speech Situation and Immanent Poetics (1966) Part IV: Fables, Anecdotes, and the Novel 18. The Absolute Father (1952/1953) 19. The Mythos and Ethos of America in the Work of William Faulkner (1958) 20. The Concept of Reality and the Possibility of the Novel (1964) 21. Pensiveness (1980) 22. Moments of Goethe (1982) 23. Beyond the Edge of Reality: Three Short Essays (1983) 24. Of Nonunderstanding: Glosses on Three Fables (1984) 25. Unknown Aesopica: From Newly Found Fables (1985) 26. Advancing into Eternal Silence: A Century after the Sailing of the Fram (1993)
Synopsis
What role do metaphors play in philosophical language? Are they impediments to clear thinking that should be eradicated in the interests of terminological exactness? Or can they be used by philosophers to indicate the attitudes that regulate an epoch?, " Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner's guide for its author as well, allowing him to undertake an initial survey of problems that would preoccupy him for the remainder of his life, it has the additional advantage that it can offer us a glimpse into what might be called the 'genesis of the Blumenbergian world.'"--from the Afterword by Robert Savage What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology , originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. These metaphors answer the supposedly na ve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas., What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology , originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. "Absolute metaphors" answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas., " Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner's guide for its author as well, allowing him to undertake an initial survey of problems that would preoccupy him for the remainder of his life, it has the additional advantage that it can offer us a glimpse into what might be called the 'genesis of the Blumenbergian world.'"--from the Afterword by Robert Savage What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology , originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. These metaphors answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.
LC Classification Number
PN228.M4B61613 2010

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