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DIAMOND: Symphony 8 by Gerard Schwarz (CD, 2004)

US $8.85
ApproximatelyPHP 500.53
Condition:
Very Good
Disc appears nearly new. Case excellent with just light scuffing. Booklet present and in excellent ... Read moreabout condition
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Located in: Kenosha, Wisconsin, United States
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eBay item number:204187658114

Item specifics

Condition
Very Good
An item that is used but still in very good condition. No damage to the jewel case or item cover, no scuffs, scratches, cracks, or holes. The cover art and liner notes are included. The VHS or DVD box is included. The video game instructions and box are included. The teeth of disk holder are undamaged. Minimal wear on the exterior of item. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape. See all condition definitionsopens in a new window or tab
Seller Notes
“Disc appears nearly new. Case excellent with just light scuffing. Booklet present and in excellent ...
UPC
0636943915622

About this product

Product Identifiers

Record Label
Naac, Naxos American
UPC
0636943915622
eBay Product ID (ePID)
13046042478

Product Key Features

Format
CD
Release Year
2004
Genre
Classical
Artist
Diamond / Parce / Schwarz / Seattle Symphony
Release Title
Symphony 8

Dimensions

Item Height
0.39 in
Item Weight
0.23 lb
Item Length
5.98 in
Item Width
5.20 in

Additional Product Features

Number of Discs
1
Number of Tracks
15
Country/Region of Manufacture
United States
Tracks
1.1 Fanfare 1.2 Prelude to Episode I 1.3 Introduction and Dance of the Benevolent Master ; Mistress 1.4 Eliza's Supplication 1.5 The Mortgage 1.6 Dance of the Slavetraders and Human Bloodhounds 1.7 Dance of Thankfulness for Freedom 1.8 Dance of New England and New Orleans 1.9 Entrance of Eva 1.10 Tom's Dance of Revelation Through the Eternal Word 1.11 Music Accompanying Eva's Departure and Ascent Into Heaven Accompanied By Angels 1.12 Choral Spiritual - Conclusion 1.13 This Sacred Ground - Seattle Symphony Chorale 1.14 Moderato - Adagio - Allegro Vivo 1.15 Theme (Adagio), Variations and Double Fugue
Notes
Diamond dedicated his Symphony No. 8 to his friend and mentor, composer Aaron Copland on the occasion of his sixtieth birthday. The work was completed in November 1960 and received it's première with Leonard Bernstein and the New York Philharmonic on 27th October, 1961. While essentially tonal in harmonic language, Diamond incorporated highly chromatic elements and even a twelve-note tone row, not unlike what the Symphony's dedicatee was doing during this same period in his Connotations, though Diamond's work is far less aggressively dissonant in overall sound. The composer provided these notes for the première performance: I. Moderato-Adagio-Allegro vivo. The basic row is proclaimed in the very opening bars of the introduction; it is in two halves. The first, a forceful rhythmic theme of five notes (4/4), is thundered out by the orchestra tutti. The second, a more lyric theme of seven notes (3/4), is sung softly by a single clarinet. Thematically, the second phrase is destined to be the more important; in fact, the row is immediately rearranged and presented by a solo horn, which starts with this second phrase in an even more lyric version, and concludes with a lyric transformation of the thundering five-note opening. The fast body of the movement, a free sonata-allegro structure, starts with a heavily syncopated version of the row as presented by the French horn. This is the principal theme; a contrasting second theme is presented at a more relaxed tempo by a solo clarinet, ben cantando, over a soft counterpart of strings. Both themes are developed, and return in very nearly their original form during the course of this long but highly concentrated movement. The conclusion is a stunning climax compounded of the essence of both themes.II. Theme (Adagio), Variations and Double Fugue. After a two-measure introduction, which turns into a sequential accompaniment, the first violins begin a high, flowing melody that is the theme (3/4). Soon the orchestral basses and cellos enter with this same melody, while the violins continue the forty-measure theme. Variation No. 1 is a canon, in which the violins lead and cellos follow with the same melody, always at a distance of one measure. There are seven variations in all, the last of which repeats a long section from No. 1, and then leads without pause into the lively double-fugue. The first principal theme of this is derived from the principal theme of the first movement. Other themes from the first movement make their appearance, too, as the Symphony moves on to it's climax and conclusion.

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Andra's Book & Legacy Music Shop

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Andra's Book & Music Shop features academic, collectible and general subject used books and Legacy Classical CDs Andra specializes in non-fiction titles covering a wide range --- from academic ...
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