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Early Irish Cinema 1895-1921

US $94.18
ApproximatelyPHP 5,237.91
Condition:
Acceptable
Ships from our UK warehouse.
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eBay item number:156953114712
Last updated on May 07, 2025 08:36:07 PHTView all revisionsView all revisions

Item specifics

Condition
Acceptable
A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text. See all condition definitionsopens in a new window or tab
Seller Notes
“Ships from our UK warehouse.”
Binding
Paperback
Book Title
Early Irish Cinema 1895-1921
ISBN
9780716529736

About this product

Product Identifiers

Publisher
Irish Academic Press
ISBN-10
0716529734
ISBN-13
9780716529736
eBay Product ID (ePID)
84233212

Product Key Features

Number of Pages
320 Pages
Language
English
Publication Name
Early Irish Cinema 1895-1921
Publication Year
2008
Subject
Europe / Ireland
Type
Textbook
Author
Denis Condon
Subject Area
History
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
18.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Dewey Decimal
791.4309162
Synopsis
This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, the book provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-)visual form.

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