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Early Irish Cinema 1895-1921
US $94.18
ApproximatelyPHP 5,237.91
Condition:
“Ships from our UK warehouse.”
Acceptable
A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text.
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eBay item number:156953114712
Item specifics
- Condition
- Acceptable
- Seller Notes
- “Ships from our UK warehouse.”
- Binding
- Paperback
- Book Title
- Early Irish Cinema 1895-1921
- ISBN
- 9780716529736
About this product
Product Identifiers
Publisher
Irish Academic Press
ISBN-10
0716529734
ISBN-13
9780716529736
eBay Product ID (ePID)
84233212
Product Key Features
Number of Pages
320 Pages
Language
English
Publication Name
Early Irish Cinema 1895-1921
Publication Year
2008
Subject
Europe / Ireland
Type
Textbook
Subject Area
History
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
18.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Dewey Decimal
791.4309162
Synopsis
This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, the book provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-)visual form.
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