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The Queue [New York Review Books Classics] , Sorokin, Vladimir ,

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Very Good

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US $8.72

ApproximatelyPHP 510.96

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Located in: Haltom City, Texas, United States

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Estimated between Fri, 21 Jun and Wed, 26 Jun to 43230

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eBay item number:156165146551

Last updated on Jun 13, 2024 09:31:35 PHTView all revisionsView all revisions

Item specifics

Condition: Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ... Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab

ISBN: 9781590172742

Book Title: Queue

Item Length: 8 in

Publisher: New York Review of Books, Incorporated, T.H.E.

Publication Year: 2008

Format: Uk-Trade Paper

Language: English

Item Height: 0.7 in

Author: Vladimir Sorokin

Genre: Fiction

Topic: Satire, Literary, Political, Humorous / General

Item Width: 5 in

Item Weight: 10.2 Oz

Number of Pages: 280 Pages

About this product

Product Information

An average day in the Soviet Union, hundreds of people are lined up for . . . nobody knows quite what, but the rumors are flying. Sorokin's most approachable novel is told in snatches of dialogue that are in turn poignant and uproarious.

Product Identifiers

Publisher

New York Review of Books, Incorporated, T.H.E.

ISBN-10

1590172744

ISBN-13

9781590172742

eBay Product ID (ePID)

64151218

Product Key Features

Book Title

Queue

Author

Vladimir Sorokin

Format

Uk-Trade Paper

Language

English

Topic

Satire, Literary, Political, Humorous / General

Publication Year

2008

Genre

Fiction

Number of Pages

280 Pages

Dimensions

Item Length

8 in

Item Height

0.7 in

Item Width

5 in

Item Weight

10.2 Oz

Additional Product Features

Intended Audience

Trade

Lc Classification Number

Pg3488.O66o2813 2008

Reviews

[A] landmark of international postmodern fiction. - Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." - Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail, "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "A humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. - Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." -The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. -- Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -- Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal Mr. Sorokin demonstrates a remarkable ear for dialogue...Occasionally in its characters' speech The Queue resembles, as befits a colloquial account of an overnight queue, Waiting for Godot . Its humor, however, is broader and nowhere as stark. -- The New York Times " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail, "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." -Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -Publishers Weekly "The Queuedispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times(London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." -Library Journal "The Queueis a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." -Globe and Mail, [A] landmark of international postmodern fiction. -- Keith Gessen "If queues were arranged in order of merit, it would only be fair to put the young Soviet writer Vladimir Sorokin at the head." - Guardian "With humor, anger and irony, Sorokin creates a brilliant set piece, conveying the absurdity, the dehumanization and, above all, the inevitability of waiting in line." -- Publishers Weekly " The Queue dispenses entirely with authorial interpolation; indeed, it dispenses with everything except dialogue, mostly curt one-liners, as though transcribed direct from a radio play. The uncredited voices are queueing outside a clothes shop in summer: Party panjandrums barge in front of the accompaniment of quickly muffled protests; vodka circulates; the Moscow sun dexlines; romance germinates. Anti-Soviet elements will perhaps coo over Valdimir Sorokin's happy mining of elemental koptimism from an unlikely seam; more pertinent to our purposes this book, alone of the quartet, displays genuine zest." - The Times (London) "This novel reduces to delightful absurdity the rough democracy of the long lines that Soviet people-in-the-street endure in order to buy "luxury" goods. Sorokin is an innovative young writer, never published officially in the USSR, who draws on two great Russian traditions sorely missing from Soviet literature: avant-garde experiment and a flair for nonsense. The book has no description, settings, or stage directionnothing but voices: snatches of conversation, rumors, jokes, howls of rage, roll calls, and sexy moans. Sorokin's magic pen turns this framework into a mini-picaresque novel with a hero of sorts. Readers with some imagination will enjoy following Vadim and his co-queuers through their days and nights on line and off." - Library Journal " The Queue is a devastating satire of Soviet bureaucracy, and its message is made even more effective by the deadpan method chosen for its delivery...reminiscent of Kafka, Orwell and Beckett in their explorations of nightmare societies...It's ending is ironic and funny, while reinforcing the cynical tone of the whole novel and the impression that the Soviet Union is a vast, unmanageable bureaucracy." - Globe and Mail

2008

Afterword by

Sorokin, Vladimir

Lccn

2007-052586

Dewey Decimal

891.73/44

Dewey Edition

Item description from the seller

Seller assumes all responsibility for this listing.

eBay item number:156165146551

Last updated on Jun 13, 2024 09:31:35 PHTView all revisionsView all revisions

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Item location:

Haltom City, Texas, United States

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Postage and handling	To	Service	Delivery*See Delivery notes
Free postage	United States	Economy Postage (USPS Media MailTM)	Estimated between Fri, 21 Jun and Wed, 26 Jun to 43230
US $16.99 (approx PHP 995.55)	United States	Expedited Postage (USPS Priority Mail®)	Estimated between Fri, 21 Jun and Wed, 26 Jun to 43230

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