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The Origins of American Photography: From Daguerreotype to Dry-Plate - Like New

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eBay item number:156073835686

Item specifics

Condition
Like New: A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is ...
Brand
Unbranded
MPN
Does not apply
ISBN
9780300122862
Book Title
Origins of American Photography : From Daguerreotype to Dry-Plate, 1839-1885: the Hallmark Photographic Collection at the Nelson-Atkins Museum of Art
Publisher
Yale University Press
Item Length
12.4 in
Publication Year
2007
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.6 in
Author
Keith F. Davis
Genre
Art, Photography
Topic
Collections, Catalogs, Exhibitions / General, American / General, History
Item Weight
84.2 Oz
Item Width
10 in
Number of Pages
360 Pages

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300122861
ISBN-13
9780300122862
eBay Product ID (ePID)
60090687

Product Key Features

Book Title
Origins of American Photography : From Daguerreotype to Dry-Plate, 1839-1885: the Hallmark Photographic Collection at the Nelson-Atkins Museum of Art
Number of Pages
360 Pages
Language
English
Publication Year
2007
Topic
Collections, Catalogs, Exhibitions / General, American / General, History
Illustrator
Yes
Genre
Art, Photography
Author
Keith F. Davis
Format
Hardcover

Dimensions

Item Height
1.6 in
Item Weight
84.2 Oz
Item Length
12.4 in
Item Width
10 in

Additional Product Features

Intended Audience
Trade
LCCN
2007-933240
Dewey Edition
22
Dewey Decimal
770.973
Synopsis
An unparalleled survey of American photography from its genesis through the nation's coming of age The Origins of American Photography chronicles the emergence of a new visual paradigm, from the introduction of the daguerreotype in 1839 through the Civil War and the exploration of the West to the rise of popular photography in the 1880s. Beautifully designed and produced, with over 600 reproductions in tritone and four-color, this important volume features works by all the leading practitioners of the time and by others who remain unknown. Many of these images are published here for the first time; all are from the acclaimed Hallmark Photographic Collection at the Nelson-Atkins Museum of Art. In a detailed and authoritative text, Keith F. Davis examines photography's social history and aesthetic development in an era of rapid national growth. He demonstrates how key themes and genres--including the business of daguerreian portraiture, the markets for Civil War images, and the art of Western landscape photography--reflected the concerns and values of 19th-century society. Photographers of this era expressed a new national consciousness while, at the same time, helped to shape it. They also explored the visual language of a radically new medium, laying the foundation for all of photography's subsequent history. This essential book will be the most definitive study of this period in American photographic history. It will be of interest to all scholars and enthusiasts of the medium, and to anyone interested in the visual history of 19th-century American culture. Distributed for The Nelson-Atkins Museum of Art Exhibition Schedule: The Nelson-Atkins Museum of Art, Kansas City (June 9 - December 30, 2007), An unparalleled survey of American photography from its genesis through the nation's coming of age The Origins of American Photography chronicles the emergence of a new visual paradigm, from the introduction of the daguerreotype in 1839 through the Civil War and the exploration of the West to the rise of popular photography in the 1880s. Beautifully designed and produced, with over 600 reproductions in tritone and four-color, this important volume features works by all the leading practitioners of the time and by others who remain unknown. Many of these images are published here for the first time; all are from the acclaimed Hallmark Photographic Collection at the Nelson-Atkins Museum of Art. In a detailed and authoritative text, Keith F. Davis examines photography's social history and aesthetic development in an era of rapid national growth. He demonstrates how key themes and genres--including the business of daguerreian portraiture, the markets for Civil War images, and the art of Western landscape photography--reflected the concerns and values of 19th-century society. Photographers of this era expressed a new national consciousness while, at the same time, helped to shape it. They also explored the visual language of a radically new medium, laying the foundation for all of photography's subsequent history. This essential book will be the most definitive study of this period in American photographic history. It will be of interest to all scholars and enthusiasts of the medium, and to anyone interested in the visual history of 19th-century American culture.
LC Classification Number
TR15
ebay_catalog_id
4
Copyright Date
2007

Item description from the seller

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