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Marxism and Form 20th-Century Dialectical Theories of Literature FREDRIC JAMESON
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Marxism and Form 20th-Century Dialectical Theories of Literature FREDRIC JAMESON
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Marxism and Form 20th-Century Dialectical Theories of Literature FREDRIC JAMESON

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    eBay item number:146549856810

    Item specifics

    Condition
    Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
    Binding
    Paperback / softback
    Artist
    Jameson, Fredric
    Date of Publication
    1974-05-21
    Release Title
    Marxism and Form: 20th-Century Dialectical Theories of Literature
    Signed
    No
    Title
    Marxism and Form: 20th-Century Dialectical Theories of Literature
    Narrative Type
    Non-Fiction
    Original Language
    English
    Colour
    N/A
    Brand
    N/A
    EAN
    9780691013114
    ISBN
    069101311X
    Country/Region of Manufacture
    United States

    About this product

    Product Identifiers

    Publisher
    Princeton University Press
    ISBN-10
    069101311X
    ISBN-13
    9780691013114
    eBay Product ID (ePID)
    5038667008

    Product Key Features

    Number of Pages
    454 Pages
    Publication Name
    Marxism and Form : 20th-Century Dialectical Theories of Literature
    Language
    English
    Publication Year
    1974
    Subject
    Political Ideologies / Communism, Post-Communism & Socialism, European / General, General, History & Surveys / Modern, Russian & Former Soviet Union
    Type
    Textbook
    Author
    Fredric Jameson
    Subject Area
    Literary Criticism, Political Science, Philosophy
    Format
    Trade Paperback

    Dimensions

    Item Height
    1.2 in
    Item Weight
    20 Oz
    Item Length
    8.4 in
    Item Width
    5.5 in

    Additional Product Features

    Intended Audience
    College Audience
    LCCN
    71-155962
    Dewey Edition
    22
    Illustrated
    Yes
    Dewey Decimal
    801.95
    Synopsis
    For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Luk cs, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation., For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukács, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation., For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukacs, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism.One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation., Providing an account of the work of the European Marxist theorists, this book presents a framework for analyzing the connection between art and the historical circumstances of its making - in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form.
    LC Classification Number
    PN98.C6J3

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