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More Notes of a Dirty Old Man: The Uncollected Columns by Bukowski, Charles
by Bukowski, Charles | PB | VeryGood
US $8.70
ApproximatelyPHP 484.09
Condition:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 0872865436
- Book Title
- More Notes of a Dirty Old Man : the Uncollected Columns
- Publisher
- City Lights
- Item Length
- 9 in
- Publication Year
- 2011
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3 in
- Genre
- Fiction, Literary Collections
- Topic
- Short Stories (Single Author), General, American / General, Literary
- Item Weight
- 10.9 Oz
- Item Width
- 6 in
- Number of Pages
- 248 Pages
About this product
Product Identifiers
Publisher
City Lights
ISBN-10
0872865436
ISBN-13
9780872865433
eBay Product ID (ePID)
109254491
Product Key Features
Book Title
More Notes of a Dirty Old Man : the Uncollected Columns
Number of Pages
248 Pages
Language
English
Topic
Short Stories (Single Author), General, American / General, Literary
Publication Year
2011
Genre
Fiction, Literary Collections
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
10.9 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-017877
Dewey Edition
22
Reviews
It's a nice collection that really shows Bukowski's love of telling stories filled with the grime and the filth of life as a normal working man in a concrete jungle., "In another installment of his essays and ramblings, City Lights press have surely come up with a winner." -- Beat Scene "Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent." -- Publishers Weekly "To anyone familiar with Bukowski's work, they're more of the good stuff -- essays on pure desire that demonstrate his lust for the physical world. And of course, they're shot through with Bukowski's admirable denial of a higher meaning to his work -- to an earnest interviewer, he writes, 'When I die they can take my work and wipe a cat's ass with it. It will be of no earthly use to me.'" -- LA Weekly "He's been gone since 1994, but Charles Bukowski continues to fascinate us. His tales of sex, drugs,and booze, and more sex, drugs, and booze, ad infinitum, resonate a lurid energy that grabs our attention and keeps it." -- SF Weekly, He's been gone since 1994, but Charles Bukowski continues to fascinate us. His tales of sex, drugs,and booze, and more sex, drugs, and booze, ad infinitum, resonate a lurid energy that grabs our attention and keeps it., "Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent." -- Publishers Weekly, "In another installment of his essays and ramblings, City Lights press have surely come up with a winner. These are essentially Bukowski's articles for John Bryan's Open City Press, for Nola Express, for the Los Angeles Free Press. His early reputation, as a cult writer around Los Angeles, is partially built upon these iconoclastic columns where they gave him cart blanche to write whatever came into his head, and he invariably did just that. Even today some of his articles come across as quite shocking after all these years." , He knew the low-life odyssey, the hardships of the ordinary working class men, and wrote about them with more precognition than any of his contemporaries. . . . Bukowski's scabrous and sturdy prose about the social and economic subjugation of the urban underclass is matchless: every word is loaded with experience, a badge of authenticity., The art of Bukowski is his authenticity. He gives us the piss-soaked, shit-stained, vomit-filled reality...He won't let you ignore the perverted truth; he makes you see and experience the world as he does., In these pieces, written for the alternative press from 1967 through the mid-'80s, is a Bukowski you might not know-the father taking his seven-year-old daughter to the beach in Santa Monica, where he rescues a homeless man who's been beaten up by thugs. Here's the Bukowski lost in the gender wars, confused and trying to keep his own desire (piggy at times, yes) alive. He wasn't looking for beauty, but he found it now and then. And he was happy writing these columns-as much as a grumpy middle-aged drunk can be., "In another installment of his essays and ramblings, City Lights press have surely come up with a winner." -- Beat Scene "Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent." -- Publishers Weekly "To anyone familiar with Bukowski's work, they're more of the good stuff -- essays on pure desire that demonstrate his lust for the physical world. And of course, they're shot through with Bukowski's admirable denial of a higher meaning to his work -- to an earnest interviewer, he writes, 'When I die they can take my work and wipe a cat's ass with it. It will be of no earthly use to me.'" -- LA Weekly "In these pieces, written for the alternative press from 1967 through the mid-'80s, is a Bukowski you might not know--the father taking his seven-year-old daughter to the beach in Santa Monica, where he rescues a homeless man who's been beaten up by thugs. Here's the Bukowski lost in the gender wars, confused and trying to keep his own desire (piggy at times, yes) alive. He wasn't looking for beauty, but he found it now and then. And he was happy writing these columns--as much as a grumpy middle-aged drunk can be." -- Susan Salter Reynolds, Los Angeles Magazine "He's been gone since 1994, but Charles Bukowski continues to fascinate us. His tales of sex, drugs,and booze, and more sex, drugs, and booze, ad infinitum, resonate a lurid energy that grabs our attention and keeps it." -- SF Weekly, "In another installment of his essays and ramblings, City Lights press have surely come up with a winner."--Beat Scene "Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent."--Publishers Weekly "To anyone familiar with Bukowski's work, they're more of the good stuff -- essays on pure desire that demonstrate his lust for the physical world. And of course, they're shot through with Bukowski's admirable denial of a higher meaning to his work -- to an earnest interviewer, he writes, 'When I die they can take my work and wipe a cat's ass with it. It will be of no earthly use to me.'"--LA Weekly "In these pieces, written for the alternative press from 1967 through the mid-'80s, is a Bukowski you might not know--the father taking his seven-year-old daughter to the beach in Santa Monica, where he rescues a homeless man who's been beaten up by thugs. Here's the Bukowski lost in the gender wars, confused and trying to keep his own desire (piggy at times, yes) alive. He wasn't looking for beauty, but he found it now and then. And he was happy writing these columns--as much as a grumpy middle-aged drunk can be."--Susan Salter Reynolds, Los Angeles Magazine "He's been gone since 1994, but Charles Bukowski continues to fascinate us. His tales of sex, drugs,and booze, and more sex, drugs, and booze, ad infinitum, resonate a lurid energy that grabs our attention and keeps it."--SF Weekly, "In another installment of his essays and ramblings, City Lights press have surely come up with a winner." -- Beat Scene "Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent." -- Publishers Weekly "To anyone familiar with Bukowski's work, they're more of the good stuff -- essays on pure desire that demonstrate his lust for the physical world. And of course, they're shot through with Bukowski's admirable denial of a higher meaning to his work -- to an earnest interviewer, he writes, 'When I die they can take my work and wipe a cat's ass with it. It will be of no earthly use to me.'" -- LA Weekly "In these pieces, written for the alternative press from 1967 through the mid-'80s, is a Bukowski you might not know—the father taking his seven-year-old daughter to the beach in Santa Monica, where he rescues a homeless man who's been beaten up by thugs. Here's the Bukowski lost in the gender wars, confused and trying to keep his own desire (piggy at times, yes) alive. He wasn't looking for beauty, but he found it now and then. And he was happy writing these columns—as much as a grumpy middle-aged drunk can be." -- Susan Salter Reynolds, Los Angeles Magazine "He's been gone since 1994, but Charles Bukowski continues to fascinate us. His tales of sex, drugs,and booze, and more sex, drugs, and booze, ad infinitum, resonate a lurid energy that grabs our attention and keeps it." -- SF Weekly, To anyone familiar with Bukowski's work, they're more of the good stuff -- essays on pure desire that demonstrate his lust for the physical world. And of course, they're shot through with Bukowski's admirable denial of a higher meaning to his work -- to an earnest interviewer, he writes, 'When I die they can take my work and wipe a cat's ass with it. It will be of no earthly use to me.', In these pieces, written for the alternative press from 1967 through the mid-'80s, is a Bukowski you might not know--the father taking his seven-year-old daughter to the beach in Santa Monica, where he rescues a homeless man who's been beaten up by thugs. Here's the Bukowski lost in the gender wars, confused and trying to keep his own desire (piggy at times, yes) alive. He wasn't looking for beauty, but he found it now and then. And he was happy writing these columns--as much as a grumpy middle-aged drunk can be., Proving that misanthropic and humanitarian are two sides of the same tarnished coin and that stagnation and metamorphosis are equally related, this collection arcs subtly from the banal side of addiction to the most extreme forms of love and hate. Bukowski's prose is still relevant, still shocking, still transcendent.
Dewey Decimal
818/.54
Synopsis
"He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling-- More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly . From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994., The sequel to his famous book, More Notes of a Dirty Old Man reprints rare Bukowski columns unseen in decades., "He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling--More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly. From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994., After toiling in obscurity for years, Charles Bukowski found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. More Notes of a Dirty Old Man gathers many uncollected gems from the column's 20-year run. These stories and essays haven't been seen in decades, making them a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions -- sex, booze, gambling -- More Notes of a Dirty Old Man features Bukowski's offbeat insights into politics and literature, his tortured relationships with women, and his lurid escapades on the poetry circuit.
LC Classification Number
PS3552.U4M65 2011
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